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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Dream Come True: 1965 Missal Online!

Jeff Ostrowski · November 15, 2013

HE CHANGES MADE to the Roman Rite didn’t happen overnight. They were phased in from approximately 1965 to 1972. However, some craziness started pretty early, as you can see by looking at this fully approved “congregational” musical setting of the Our Father published in 1966.

The first major changes came when Inter Oecumenici appeared in 1964. As a result, the 1965 Missale Romanum was published, a radical departure from the 1962 version. Only a few priestly prayers during Offertory and Canon were required to be said in Latin, and even those restrictions would be lifted a couple years later. You can download all 1,780 pages of the 1965 Missal in PDF form:

PDF Download: The 1965 Missal (1,785 pages)

This book belongs to Marie Johnson; it was scanned by Corpus Christi Watershed.

THE 1965 MISSAL includes 100% of the Latin (printed in tiny type) right next to the English, because Inter Oecumenici stated in no uncertain terms:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

If this principle had been kept, many egregious errors (which still persist 40 years later) could have been avoided. The next big change came on 4 May 1967, when Tres Abhinc Annos allowed the Roman Canon to be prayed in the vernacular. Many priests tore out the (Latin) pages in their 1965 Missals and replaced them with inserts like this one. Notice the Imprimatur dated 1 October 1967. They certainly didn’t waste any time, did they? Why such a big rush to modify a venerable Rite that had existed for 1500 years? The sentence in Tres Abhinc Annos doesn’t match what I’ve been told by many people alive in 1967:

“The rich yield [of the liturgical reforms] is becoming quite clear from the many reports of bishops, which attest to an increased, more aware, and intense participation of the faithful everywhere in the liturgy, especially in the holy sacrifice of the Mass.”

The “rush job” led to many ugly, ephemeral books. In my opinion, the 1965 Missal is difficult to understand in places since it lacks red text, unlike this 1966 Sacramentary (108MB). Numerous errors were also printed, like the following (from the 1965 Missal):

In 1969, Pope Paul VI would promulgate the Novus Ordo Missae, but several more years would elapse before the “complete” Novus Ordo Rite came into existence. The haphazard way in which the various parts (3-year Lectionary, Graduale Simplex, Ordo Cantus Missae, etc.) were introduced can be seen by Bugnini’s explanation.

In 1969, many priests ripped out the Roman Canon and replaced it with inserts like this, containing four (4) new Eucharistic Prayers. Those who look carefully will notice something very odd, which I cannot fully explain:

That’s right … it’s dated December of 1968. My understanding is that Paul VI would not promulgate the new Eucharistic Prayers until 3 April 1969, but perhaps a reader can correct me.

TO QUOTE VANESSA WILLIAMS, I have “saved the best for last.” The most interesting document I’ve found is this 1970 Ordo Missae (89MB). Turn to Appendix I, and you’ll discover many fascinating injunctions. I will not detail them here, but I will provide the following example (based on Liturgicae Instaurationes, §7):

It would be fascinating to learn if books similar to the above were produced in French, Italian, Spanish, German, etc.

 

UPDATE:   Please note that the “Missale Romanum” is dated 1966. However, it’s an identical, exact reprint of the 1965 edition. Also, people have been asking about the “dream come true.” The “dream” was to have the 1965 Missal online.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1965 Missal, Annibale Bugnini Reform Last Updated: July 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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