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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Dream Come True: 1965 Missal Online!

Jeff Ostrowski · November 15, 2013

HE CHANGES MADE to the Roman Rite didn’t happen overnight. They were phased in from approximately 1965 to 1972. However, some craziness started pretty early, as you can see by looking at this fully approved “congregational” musical setting of the Our Father published in 1966.

The first major changes came when Inter Oecumenici appeared in 1964. As a result, the 1965 Missale Romanum was published, a radical departure from the 1962 version. Only a few priestly prayers during Offertory and Canon were required to be said in Latin, and even those restrictions would be lifted a couple years later. You can download all 1,780 pages of the 1965 Missal in PDF form:

PDF Download: The 1965 Missal (1,785 pages)

This book belongs to Marie Johnson; it was scanned by Corpus Christi Watershed.

THE 1965 MISSAL includes 100% of the Latin (printed in tiny type) right next to the English, because Inter Oecumenici stated in no uncertain terms:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

If this principle had been kept, many egregious errors (which still persist 40 years later) could have been avoided. The next big change came on 4 May 1967, when Tres Abhinc Annos allowed the Roman Canon to be prayed in the vernacular. Many priests tore out the (Latin) pages in their 1965 Missals and replaced them with inserts like this one. Notice the Imprimatur dated 1 October 1967. They certainly didn’t waste any time, did they? Why such a big rush to modify a venerable Rite that had existed for 1500 years? The sentence in Tres Abhinc Annos doesn’t match what I’ve been told by many people alive in 1967:

“The rich yield [of the liturgical reforms] is becoming quite clear from the many reports of bishops, which attest to an increased, more aware, and intense participation of the faithful everywhere in the liturgy, especially in the holy sacrifice of the Mass.”

The “rush job” led to many ugly, ephemeral books. In my opinion, the 1965 Missal is difficult to understand in places since it lacks red text, unlike this 1966 Sacramentary (108MB). Numerous errors were also printed, like the following (from the 1965 Missal):

In 1969, Pope Paul VI would promulgate the Novus Ordo Missae, but several more years would elapse before the “complete” Novus Ordo Rite came into existence. The haphazard way in which the various parts (3-year Lectionary, Graduale Simplex, Ordo Cantus Missae, etc.) were introduced can be seen by Bugnini’s explanation.

In 1969, many priests ripped out the Roman Canon and replaced it with inserts like this, containing four (4) new Eucharistic Prayers. Those who look carefully will notice something very odd, which I cannot fully explain:

That’s right … it’s dated December of 1968. My understanding is that Paul VI would not promulgate the new Eucharistic Prayers until 3 April 1969, but perhaps a reader can correct me.

TO QUOTE VANESSA WILLIAMS, I have “saved the best for last.” The most interesting document I’ve found is this 1970 Ordo Missae (89MB). Turn to Appendix I, and you’ll discover many fascinating injunctions. I will not detail them here, but I will provide the following example (based on Liturgicae Instaurationes, §7):

It would be fascinating to learn if books similar to the above were produced in French, Italian, Spanish, German, etc.

 

UPDATE:   Please note that the “Missale Romanum” is dated 1966. However, it’s an identical, exact reprint of the 1965 edition. Also, people have been asking about the “dream come true.” The “dream” was to have the 1965 Missal online.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1965 Missal, Annibale Bugnini Reform Last Updated: July 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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