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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

He Saw & Believed

Fr. David Friel · March 31, 2013

HEN MARY MADGALENE ARRIVES at the tomb and finds the stone rolled back, confusion falls upon her. She is so afflicted by the events of the last several days that she comes to mourn at Jesus’ tomb before the sun even rose. Seeing the tomb unsealed was very unexpected. What should she make of this scene? When she confronts Peter and the Beloved Disciple with the strange news, she says, “They have taken the Lord from the tomb, and we don’t know where they put Him.” Can you picture Mary Magdalene in this state of confused, grief-stricken hysteria? All she can say is, “What happened? Which way did He go?”

The experience is very different for the Beloved Disciple. He runs with great speed to the tomb, indicative not only of youthfulness but also of his anticipatory faith. When he arrives, the Beloved Disciple deferentially waits for Peter to go inside first. Notably, however, the Gospel tells us only that Peter “saw” the burials cloths folded and placed aside. Thereafter, we are subtly told that the Beloved Disciple “saw and believed.” Instantaneously, the sequence of events that confused Mary Magdalene and perplexed Peter are intuited. The Beloved Disciple does not get caught up wondering where Jesus has gone. He immediately thinks “of what is above, not of what is on earth.” He believes, on account of God’s gift and the evidence surrounding him, that “Christ is seated at the right hand of God.”

Shortly after this, the Apostles return home, leaving Mary Magdalene alone at the tomb. There, the Lord appears to her, and she becomes the first witness of the Resurrection. Before long, according to the Acts of the Apostles, Peter would be fearlessly traveling to “preach to the people and testify” that Jesus was “raised on the third day.” But it was the Beloved Disciple who first believed.

For this reason, the Beloved Disciple is a tremendous model of faith. In this Year of Faith, we are celebrating as a universal Church a virtue that has its origin in Easter Day. Were it not for the Paschal Mystery—the suffering, death, and ultimate Resurrection of our Lord—Christian faith would have no basis. The Letter to the Hebrews defines faith as “the substance of things to be hoped for, and the evidence of things not seen” (Hebrews 11:1). The coming to faith of the Beloved Disciple wasn’t merely the logical deduction of a sequence of events unexplainable by any other means. Surely another observer could have fabricated various explanations for what he and Peter and Mary Magdalene had seen. The coming to faith of the Beloved Disciple begins with his acceptance of what Jesus had revealed about Himself and ends with the Disciple’s interior illumination by grace.

That Jesus could die on the Cross and yet be raised from the dead is the definitive motive of credibility. For one who has faith, the state of confusion never lasts long. Mary Magdalene, who began that first Easter morning in utter confusion, declares this in the sequence for today’s feast: “Christ my hope is arisen. . . . Christ indeed from death is risen, our new life obtaining.” The Easter mystery serves as the bedrock for our faith, even as it did for the first disciples.

At the sight of our Savior’s rising, and formed by the virtue of faith, we dare to say: Alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

Recent Posts

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  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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