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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

He Saw & Believed

Fr. David Friel · March 31, 2013

HEN MARY MADGALENE ARRIVES at the tomb and finds the stone rolled back, confusion falls upon her. She is so afflicted by the events of the last several days that she comes to mourn at Jesus’ tomb before the sun even rose. Seeing the tomb unsealed was very unexpected. What should she make of this scene? When she confronts Peter and the Beloved Disciple with the strange news, she says, “They have taken the Lord from the tomb, and we don’t know where they put Him.” Can you picture Mary Magdalene in this state of confused, grief-stricken hysteria? All she can say is, “What happened? Which way did He go?”

The experience is very different for the Beloved Disciple. He runs with great speed to the tomb, indicative not only of youthfulness but also of his anticipatory faith. When he arrives, the Beloved Disciple deferentially waits for Peter to go inside first. Notably, however, the Gospel tells us only that Peter “saw” the burials cloths folded and placed aside. Thereafter, we are subtly told that the Beloved Disciple “saw and believed.” Instantaneously, the sequence of events that confused Mary Magdalene and perplexed Peter are intuited. The Beloved Disciple does not get caught up wondering where Jesus has gone. He immediately thinks “of what is above, not of what is on earth.” He believes, on account of God’s gift and the evidence surrounding him, that “Christ is seated at the right hand of God.”

Shortly after this, the Apostles return home, leaving Mary Magdalene alone at the tomb. There, the Lord appears to her, and she becomes the first witness of the Resurrection. Before long, according to the Acts of the Apostles, Peter would be fearlessly traveling to “preach to the people and testify” that Jesus was “raised on the third day.” But it was the Beloved Disciple who first believed.

For this reason, the Beloved Disciple is a tremendous model of faith. In this Year of Faith, we are celebrating as a universal Church a virtue that has its origin in Easter Day. Were it not for the Paschal Mystery—the suffering, death, and ultimate Resurrection of our Lord—Christian faith would have no basis. The Letter to the Hebrews defines faith as “the substance of things to be hoped for, and the evidence of things not seen” (Hebrews 11:1). The coming to faith of the Beloved Disciple wasn’t merely the logical deduction of a sequence of events unexplainable by any other means. Surely another observer could have fabricated various explanations for what he and Peter and Mary Magdalene had seen. The coming to faith of the Beloved Disciple begins with his acceptance of what Jesus had revealed about Himself and ends with the Disciple’s interior illumination by grace.

That Jesus could die on the Cross and yet be raised from the dead is the definitive motive of credibility. For one who has faith, the state of confusion never lasts long. Mary Magdalene, who began that first Easter morning in utter confusion, declares this in the sequence for today’s feast: “Christ my hope is arisen. . . . Christ indeed from death is risen, our new life obtaining.” The Easter mystery serves as the bedrock for our faith, even as it did for the first disciples.

At the sight of our Savior’s rising, and formed by the virtue of faith, we dare to say: Alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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