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Views from the Choir Loft

Free Download • “Liber Usualis” PDF Online (Solesmes, 1961)

Corpus Christi Watershed · March 19, 2013

Here’s the direct URL link.

ANY PEOPLE think they need the Liber Usualis, but might actually prefer the Graduale if they knew about it. The Liber Usualis is (of course) the “Vatican Edition” (Editio Vaticana), but with rhythmic signs added by Dom André Mocquereau in 1908 (and not one of these marks was ever changed in a subsequent edition, even 100 years later). If you don’t understand what the “Vatican Edition” is, please watch these videos or read this article. Anyway, here’s an online PDF copy of the 1961 Liber Usualis published by the monks of Solesmes:

* *  Liber Usualis (Solesmes, 1961) • free PDF
—Liber Usualis, with Introduction and Rubrics in English Hardcover • 2340 pages.

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Liber Usualis book scan courtesy of Jeffrey Tucker.

If you like the Liber Usualis, you should download the 1957 version that includes English Translations:

* *  1957 Solesmes Liber Usualis with English Translations

“LIBER USUALIS” DESCRIPTION:
The 1961 Edition of the “Liber Usualis” by the Benedictines of the Solesmes Monastery • The “Liber Usualis” contains the complete Latin settings of Gregorian Chant for every Mass of the year (Sundays, Solemnities, Commons and Feasts) as well as for Nuptial Masses, Requiem Masses, Holy Week, and Ordination. Additionally it provides much of the Gregorian Chant to be sung in Latin for the Divine Office (Vespers, Compline, etc.), as well as many other traditional Latin chants and hymns (Litanies, Benediction, and so forth). • Gregorian Chant for Every Mass of the Year • There’s no such thing as a “1962” Liber Usualis, because the 1962 Liber Usualis is identical to the 1961 version +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: 1962 Liber Usualis Solesmes, PDF download Liber Usualis Last Updated: May 18, 2026

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President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

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