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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Be Reconciled to God

Fr. David Friel · March 10, 2013

HE PARABLE OF THE PRODIGAL SON is probably the most famous of all Jesus’ parables. It is so rich a story that exhausting its meaning would be difficult. One good way of approaching the parable is through its three characters. If we look closely, we should be able to recognize ourselves in the younger son, the elder son, and even in the father.

Every one of us is the prodigal son. Whether or not we have ever become mired in a rebellious, downward spiral of grave sin, we all know the basic experience of separating ourselves from another. Sometimes we cut ourselves off from our parents or our children; sometimes we separate ourselves from spouses or old friends; sometimes we cut ties with God. We drift away into “a distant country,” until we eventually grow tired of our self-inflicted isolation and loneliness. By God’s mercy, we realize that we have forgotten our identity as His beloved children and finally wake up to His stupendous mercy.

There are also traces of the older son in us. Rather than wandering away, this son stays at home, yet he, too, becomes lost. This elder son is the type of person who did as he was told. He goes to work on time and does his job faithfully. He is an obedient and respectful son. Regardless of his dutifulness, though, his heart becomes calloused. He separates himself from his family not by fleeing to “a distant country,” but by walling up his heart, leaving himself imprisoned by unhappiness and resentfulness. When he sees his father’s joy at the return of his prodigal brother, he simply cannot abide it. His resentfulness reels when exposed to joy. This process is repeated in each of our hearts when we feel forgotten and unappreciated and we witness someone else being remembered and appreciated.

At different times in our lives, we have all played the part of these two singular, yet strikingly similar sons. The destiny of our lives, however, is not only to be the lost child who is found by the father. What St. Paul calls the “upward calling” of Christian life is the supernatural process of becoming the father.

In the father, we see an image of God, Himself, Who actively seeks out the lost and the broken. As much as we may feel separated from his love—either by our prodigality or by our sense of being overlooked—we never really are. The father loves both of his sons equally, and there is nothing at all they can do or say that will actually separate them from his love. This father demonstrates spendthrift generosity by going out to meet each of his sons in their need and welcoming them back with heartfelt joy. Every Christian must imitate that example. In all the relationships of our lives, especially the difficult ones, the challenge of Christianity is to love with the same balance and effusiveness as God the Father.

At the heart of this tremendous parable is reconciliation. We, ourselves, first require reconciliation with God, and we are subsequently charged with the imperative to work toward reconciliation with our neighbors. In the words of St. Paul, God “has reconciled us to Himself through Christ and given us the ministry of reconciliation. . . . We implore you on behalf of Christ, be reconciled to God.” Reconciliation means not separating ourselves, like the two sons do. Rather, it means imitating the father by removing obstacles and restoring relationships.

Through prayer, it is possible to recognize the ways in which we resemble the younger and elder sons. Also through prayer, it is possible to chart our progress on the path toward becoming the father. Only when we engage all three perspectives within this parable will we be able to comprehend its marvelous message of mercy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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