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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Splendid! A 2013 Recording By Cistercian Nuns

Jeff Ostrowski · June 6, 2013

OUNT Saint Mary’s Abbey is located in Massachusetts. This Abbey is home to some wonderful Cistercian Nuns who have produced a new Gregorian chant CD called To Pray In Beauty.

Believe it or not, pretty much every monastery in existence has created a CD or LP record over the years. I was surprised when I first learned this fact. Most of them sell these recordings in their bookstores. Sometimes (as with the De Silos monks, trained by Gajard) their recordings get “picked up” by a producing company and make it bigtime.

I can say that the Cistercian nuns of Mount Saint Mary’s Abbey have avoided the standard fare. Their CD is definitely worth hearing (and is offered at such a low price!). The voices are peaceful, beautiful, and they sing in tune! They include some selections on the CD that will be familiar to lovers of Gregorian chant, yet they also include some lesser-known pieces, like Avete solitudinis.

Furthermore, they sing the “Cistercian” variants of the chant, which are slightly different melodically than the versions Abbot Pothier included in the Editio Vaticana. The following audio excerpt will illustrate what I mean:

      * *  Excerpt: AVE MARIS STELLA [Mp3]

The CD is handsomely produced and packaged, as you can see by viewing the back cover.

Search Google for TO PRAY IN BEAUTY and you will find several ways of purchasing this fine CD.

TRACK LISTING:

1. Hymn Avete solitudinis (Mode 1) verses 1, 2, 5, and 6
2. Communion Simile Est (Mode 8)
3. Alleluia Justus Germinabit (Mode 1)
4. Introit Salve Sancta Parens (Mode 2)
5. Introit Dominus Dixit (Mode 2)
6. Communion Quinque Prudentes Virgines (Mode 5)
7. Communion Videns Dominus (Mode 1)
8. Gradual Christus Factus Est (Mode 5)
9. Introit Resurrexi (Mode 4)
10. Introit Quasi Modo (Mode 6)
11. Introit Viri Galilaei (Mode 7)
12. Introit Spiritus Domini (Mode 8)
13. Introit Exurge (Mode 1)
14. Alleluia Deus Judex (Mode 8)
15. Introit Esto Mihi (Mode 6)
16. Introit Omnia Quae Fecisti (Mode 3)
17. Introit Inclina Domine (Mode 1)
18. Introit Vocem Jucunditatis (Mode 3)
19. Hymn Ave Maris Stella (Mode 1)

From the official press release:

This new album comes with a 20-page booklet, including liner notes by Fr. Gabriel Bertoniere about the history of Cistercian chant. Also included are the English translations of the pieces sung in Latin. To Pray In Beauty: that is the ideal of monastics as they sing the Mass and the Hours in choir. Blessed Teresa of Calcutta expressed a similar ideal in her phrase “something beautiful for God.” The beauty is not for beauty’s sake; it is for God—for his glory. It was St Augustine, that great lover of beauty, who called God “Beauty ever ancient, ever new” and lamented “late have I loved Thee!” All created beauty reflects something, however faint, of the divine Beauty, but Gregorian Chant does so in a special way, for it is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever new depths and connections.

The Cistercian version of the chants presented in this recording have always played an important role in the lives of the Cistercian nuns of Wrentham since the time of its foundation in 1949. In the early years of its history, chant alone was used to provide the musical setting for the Eucharist and the Liturgy of the Hours. Since English was introduced into the liturgy after Vatican II, the nuns gradually built up a rich repertory of chants in the vernacular, but twice a week they continue to use Gregorian Chant in the celebration of the Eucharist as well as at Vespers on Solemnities. Gregorian Chant is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever-new depths and connections.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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