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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Splendid! A 2013 Recording By Cistercian Nuns

Jeff Ostrowski · June 6, 2013

OUNT Saint Mary’s Abbey is located in Massachusetts. This Abbey is home to some wonderful Cistercian Nuns who have produced a new Gregorian chant CD called To Pray In Beauty.

Believe it or not, pretty much every monastery in existence has created a CD or LP record over the years. I was surprised when I first learned this fact. Most of them sell these recordings in their bookstores. Sometimes (as with the De Silos monks, trained by Gajard) their recordings get “picked up” by a producing company and make it bigtime.

I can say that the Cistercian nuns of Mount Saint Mary’s Abbey have avoided the standard fare. Their CD is definitely worth hearing (and is offered at such a low price!). The voices are peaceful, beautiful, and they sing in tune! They include some selections on the CD that will be familiar to lovers of Gregorian chant, yet they also include some lesser-known pieces, like Avete solitudinis.

Furthermore, they sing the “Cistercian” variants of the chant, which are slightly different melodically than the versions Abbot Pothier included in the Editio Vaticana. The following audio excerpt will illustrate what I mean:

      * *  Excerpt: AVE MARIS STELLA [Mp3]

The CD is handsomely produced and packaged, as you can see by viewing the back cover.

Search Google for TO PRAY IN BEAUTY and you will find several ways of purchasing this fine CD.

TRACK LISTING:

1. Hymn Avete solitudinis (Mode 1) verses 1, 2, 5, and 6
2. Communion Simile Est (Mode 8)
3. Alleluia Justus Germinabit (Mode 1)
4. Introit Salve Sancta Parens (Mode 2)
5. Introit Dominus Dixit (Mode 2)
6. Communion Quinque Prudentes Virgines (Mode 5)
7. Communion Videns Dominus (Mode 1)
8. Gradual Christus Factus Est (Mode 5)
9. Introit Resurrexi (Mode 4)
10. Introit Quasi Modo (Mode 6)
11. Introit Viri Galilaei (Mode 7)
12. Introit Spiritus Domini (Mode 8)
13. Introit Exurge (Mode 1)
14. Alleluia Deus Judex (Mode 8)
15. Introit Esto Mihi (Mode 6)
16. Introit Omnia Quae Fecisti (Mode 3)
17. Introit Inclina Domine (Mode 1)
18. Introit Vocem Jucunditatis (Mode 3)
19. Hymn Ave Maris Stella (Mode 1)

From the official press release:

This new album comes with a 20-page booklet, including liner notes by Fr. Gabriel Bertoniere about the history of Cistercian chant. Also included are the English translations of the pieces sung in Latin. To Pray In Beauty: that is the ideal of monastics as they sing the Mass and the Hours in choir. Blessed Teresa of Calcutta expressed a similar ideal in her phrase “something beautiful for God.” The beauty is not for beauty’s sake; it is for God—for his glory. It was St Augustine, that great lover of beauty, who called God “Beauty ever ancient, ever new” and lamented “late have I loved Thee!” All created beauty reflects something, however faint, of the divine Beauty, but Gregorian Chant does so in a special way, for it is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever new depths and connections.

The Cistercian version of the chants presented in this recording have always played an important role in the lives of the Cistercian nuns of Wrentham since the time of its foundation in 1949. In the early years of its history, chant alone was used to provide the musical setting for the Eucharist and the Liturgy of the Hours. Since English was introduced into the liturgy after Vatican II, the nuns gradually built up a rich repertory of chants in the vernacular, but twice a week they continue to use Gregorian Chant in the celebration of the Eucharist as well as at Vespers on Solemnities. Gregorian Chant is itself both prayer and beauty—but a beauty that reveals itself only gradually, disclosing ever-new depths and connections.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations

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