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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Spirit of Solesmes

Dr. Peter Kwasniewski · June 27, 2013

HAVE BEEN READING a beautiful book called The Spirit of Solesmes, a compilation of spiritual writings by Dom Prosper Guéranger, Abbess Cécile Bruyère, and Dom Paul Delatte, with wonderful notes by Sister Mary David Totah. I simply cannot recommend this book highly enough to anyone who is seriously interested in monastic spirituality. The writings display that uniquely Benedictine synthesis of down-to-earth practical wisdom, a pervasive presence of the rhythms of liturgical prayer, and a vibrant serenity that is always hovering somewhere between the poetry of everyday life and the silence of eternity.

St. Thomas is fond of the axiom: “What is last in execution is first in intention.” Or as the ancients put it still more succinctly: Respice finem. One must begin any major action—such as taking care of one’s children or teaching classes each day!—with the end in view. God, our ultimate end, is known through prayer, in which, by His grace, we enter more deeply into the union of indwelling that He gives us in baptism and all the sacraments.

“Being a Christian does not only mean accepting Christ’s teaching and receiving the graces won by Him; it also means becoming a worshiper in spirit and in truth, reliving His mysteries, ascending to God in the liturgy in the way Christ descended to us and returned to the Father. Here is realized the unity of our human life, the participation of whole persons in their highest act, which is worship.” (Spirit of Solesmes, 24)

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy. This is what endows the fragments of each day, colorful and leaden alike, with the unity of a stained glass window.

Many of the Church’s liturgical prayers contain the petition that we should experience in ourselves the mystery we celebrate. Without prayer, we might (for a time at any rate) “have” this union objectively, but it would not be the place we dwell, the determinative content of our thoughts and desires. If we want then to sanctify our actions, whatever they may be, we must enter consciously and lovingly into this union, so as to draw from God, for whom nothing is impossible, the strength to do all the work He asks of us.

When speaking of the gifts of the Holy Spirit (Summa Ia-IIae, Question 68), Saint Thomas argues the absolute necessity of special assistance by the Holy Spirit, every day, throughout the day, if we are to attain the glorious end God has in store for us, so greatly does it exceed our natural abilities—even the superadded power of the theological virtues in us. “Let your good spirit lead me into the promised land.” And he makes clear that it is not only for reaching the ultimate end but also for attaining any of the particular ends we aim at as Christians, if we want to do them as God’s children, that is, with wisdom, knowledge, counsel, fortitude, and so on.

So we have to listen to the Spirit in order to be directed in our activity. In this sense, there cannot be a genuine apostolate at all without contemplative prayer behind it, as the Acts of the Apostles so clearly shows. Moreover, prayer of all sorts, but especially quiet prayer in solitude, disposes one to be a good listener and a keen perceiver of reality. You learn how to listen to others and, at times painfully, discover the secret workings of your own heart.

Finally, then, we are left with a question, an examination of conscience: What is at the center of my day? What is the center of my being—what is the still point?

Prayer is

The world in tune,

A spirit-voice,

And vocal joys

Whose echo is heaven’s bliss.

(Henry Vaughan)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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