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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Spirit of Solesmes

Dr. Peter Kwasniewski · June 27, 2013

HAVE BEEN READING a beautiful book called The Spirit of Solesmes, a compilation of spiritual writings by Dom Prosper Guéranger, Abbess Cécile Bruyère, and Dom Paul Delatte, with wonderful notes by Sister Mary David Totah. I simply cannot recommend this book highly enough to anyone who is seriously interested in monastic spirituality. The writings display that uniquely Benedictine synthesis of down-to-earth practical wisdom, a pervasive presence of the rhythms of liturgical prayer, and a vibrant serenity that is always hovering somewhere between the poetry of everyday life and the silence of eternity.

St. Thomas is fond of the axiom: “What is last in execution is first in intention.” Or as the ancients put it still more succinctly: Respice finem. One must begin any major action—such as taking care of one’s children or teaching classes each day!—with the end in view. God, our ultimate end, is known through prayer, in which, by His grace, we enter more deeply into the union of indwelling that He gives us in baptism and all the sacraments.

“Being a Christian does not only mean accepting Christ’s teaching and receiving the graces won by Him; it also means becoming a worshiper in spirit and in truth, reliving His mysteries, ascending to God in the liturgy in the way Christ descended to us and returned to the Father. Here is realized the unity of our human life, the participation of whole persons in their highest act, which is worship.” (Spirit of Solesmes, 24)

The unification of our lives, the orientation to the ultimate goal that gives meaning to every proximate and particular goal we seek, is the work of the sacred liturgy. This is what endows the fragments of each day, colorful and leaden alike, with the unity of a stained glass window.

Many of the Church’s liturgical prayers contain the petition that we should experience in ourselves the mystery we celebrate. Without prayer, we might (for a time at any rate) “have” this union objectively, but it would not be the place we dwell, the determinative content of our thoughts and desires. If we want then to sanctify our actions, whatever they may be, we must enter consciously and lovingly into this union, so as to draw from God, for whom nothing is impossible, the strength to do all the work He asks of us.

When speaking of the gifts of the Holy Spirit (Summa Ia-IIae, Question 68), Saint Thomas argues the absolute necessity of special assistance by the Holy Spirit, every day, throughout the day, if we are to attain the glorious end God has in store for us, so greatly does it exceed our natural abilities—even the superadded power of the theological virtues in us. “Let your good spirit lead me into the promised land.” And he makes clear that it is not only for reaching the ultimate end but also for attaining any of the particular ends we aim at as Christians, if we want to do them as God’s children, that is, with wisdom, knowledge, counsel, fortitude, and so on.

So we have to listen to the Spirit in order to be directed in our activity. In this sense, there cannot be a genuine apostolate at all without contemplative prayer behind it, as the Acts of the Apostles so clearly shows. Moreover, prayer of all sorts, but especially quiet prayer in solitude, disposes one to be a good listener and a keen perceiver of reality. You learn how to listen to others and, at times painfully, discover the secret workings of your own heart.

Finally, then, we are left with a question, an examination of conscience: What is at the center of my day? What is the center of my being—what is the still point?

Prayer is

The world in tune,

A spirit-voice,

And vocal joys

Whose echo is heaven’s bliss.

(Henry Vaughan)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Before any seminarian is accepted for ordination, he must not only strive for chastity but actually achieve it. He must already be living chaste celibacy peacefully and for a prolonged period of time—for if this be lacking, the seminarian and his formators cannot have the requisite confidence that he is called to the celibate life.”

— Archbishop Viganò (16 February 2019)

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