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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Taste Like Salt

Andrew R. Motyka · July 24, 2013

esterday, I was sitting at the dance studio, waiting for my daughters to be done with their ballet lessons, when I overheard two women in the common area speaking about work. The two of them presumably worked together, and did something like social work or early intervention home visits. All I know is that they were badmouthing their clients and complaining about all of the people and children (!) with whom they spend time. I was quite annoyed, as I found it very unprofessional, and a horrible example. I thought, “What if people overheard me talking like that about the people with whom I work?” Actually, that’s not a bad thing to consider.

My wife, Julie, frequently says that being married to me is like being a celebrity, without any of the perks of being a celebrity. What she means is that she gets recognized everywhere she goes (or at least, she used to when we lived in a small town), and she doesn’t necessarily recognize the person with whom she is speaking. I’ve noticed this, too. People pretty often say to me, “Hey, you’re the music guy, right?”

I’ve also noticed that people have assumptions about my behavior that may or may not be based on my reputation. For example, I once cursed during a choir rehearsal (not at the choir, mind you; for all my flaws, I have never in my life even yelled at a choir). I’m sure it was part of a joke or something, but the members’ eyes got very wide. I could see, “Swearing? Andy swears? I thought he was a professional Choir Boy!”

Actually, I curse far more than I should. It’s been a terrible habit for a long time. But the choir doesn’t realize that. They, and most of the other parishioners, only see me in one context: at Mass, trying to worship and help others to worship as reverently and beautifully as possible. There’s the rub: like it or not, I am an example. No, no one’s individual faith is going to be destroyed because I swore that one time (goodness, I hope not, else I’d be single-handedly responsible for countless damnations). However, there is such a thing as giving scandal, and he behavior of those who are associated with the Church stands out.

Now, this is something that we should all be concerned with as Christians: we are the Light of the World, Salt of the Earth, City of God. One of many lessons we’ve learned from the Abuse Crisis is that the Church should (rightfully) be held to a higher standard. But, like it or not, when you work for the Church, people see you differently than if you hold a strictly secular profession. Tough luck. That’s life.

On that note, please pray for your priests. If I, doing what little I do to build up the Church, feel a bit of pressure in watching my behavior, how much more so do the priests who are on the front lines of the spiritual battle? My burden is extremely light compared to theirs.

Yesterday’s encounter at the dance studio reminded me that people are always watching and always listening. Sometimes our state in life means that more people are watching and listening more than we are comfortable with. Not that we need another motivation to live holy lives, but this is one more reason to think before you speak or act.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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  • PDF Download • “In Paradisum” in English

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