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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Missa de Jerry Seinfeld” and Praying as a Family

Richard J. Clark · July 19, 2013

NE OF MY GREATEST LAMENTS as a full-time church musician is the inability to go to mass with my family with any regularity. With Saturday and Sunday evening masses and rehearsals, this precludes most any possibility. We get to attend mass together as a family perhaps four or five times a year, so when we do, it is a rare and special treat.

My wife and I met at church. Until we had children, she played clarinet at most every mass that I directed. Meanwhile, she has been quite saintly in handling our children by herself at our local parish, as it is now sometimes impractical for them to attend mass where I work. For example, she must negotiate with my three-year-old son, “the liturgist” who apparently knows exactly when mass should be over. Around the fifty-five minute mark, he expresses “in his own special way” the “dismissal.”

My son is also quite an expert in liturgical music, once yelling only a few rows behind the organist at another parish, “I want Daddy’s music! I want Daddy’s music. DADDY’S MUSIC!!” (I love my son. He’s a very good boy.) My poor wife, horribly embarrassed, was trying to quiet him, but little could be done to mitigate this social faux pas. I’m not sure if they’ve ever been back to that parish.

I digress.

Recently, we had such an opportunity to attend mass together as a family. It was even more extraordinary; while traveling with my wife’s extended family, we were all together at mass—all nineteen of us!

When traveling, of course, it is difficult to be picky about where to go. This particular mass that we attended (in an unnamed and undisclosed parish somewhere in America…) presented some “challenges” for me. The game show atmosphere and steady stream of jokes throughout mass grossly distorted the flow and shape of the liturgy. This included a well-timed joke about celibacy from the celebrant that drew riotous laughter. The music had nothing to do with the liturgical calendar, but was a list of “Catholic top-40” and was more closely related to the secular calendar. (OK, so the Lalemant Propers were out of the question.) The cantors were in fact quite talented and excellent, if for Broadway.

However, looking around, the church was full and the congregational singing was quite robust despite microphones set to eleven. (I’m dating myself again with the “Spinal Tap” reference.) The homily was in fact quite prayerful and intelligent despite the stand-up routine from the celebrant throughout the rest of the mass. The people seemed very happy to be there. The atmosphere was welcoming, if bereft of reverence and very much not my cup of tea. (Btw, welcoming and reverent environments are NOT mutually exclusive!)

In all of my dismay, in which I felt I was doing great penance to endure such a mass, I must remind myself that I am a huge sinner and far from perfect. (My great sinfulness has and will continue to be a regular topic in this blog.) Plus, I must be mindful that I wasn’t such a great liturgical musician twenty years ago. (Although the “Missa de Jerry Seinfeld” from a clearly intelligent celebrant is disheartening.)

(Please forgive me for this obnoxious post, because I am the luckiest man alive; I have the love of my family. Furthermore, the love of Christ should be good enough for me.) And therefore…

Someday, what I will remember most about this mass are none of its misguided liturgical abuses, however well received they were. What I will remember is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him. I will remember singing with my children, even if the music was not the best the Church has to offer. I will remember that I married a most wonderful woman from a wonderful family—that all nineteen of us made it to mass together. I will remember that we are united in the Eucharist—that the love of Christ is the center of our prayer, of our Universal Church, and of our family. For this unique time with God and with my family, I am deeply blessed and most grateful beyond words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

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