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Father Gabriel Lalemant won the crown the martyrdom on 17 March 1649. The smallest and most delicate in health among all the Jesuit missionaries, he had in six months won, by his iron will and unwavering determination, a martyr's end, in companionship with the spiritual and physical giant of the missions, Jean de Brébeuf.
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“In spite of what it is currently called, the music of these songs is not modern: this musical style is not new, but has been played in the most profane places and surroundings (cabarets, music halls, often for more or less lascivious dances with foreign names). The people are led on to rock or swing. They all feel an urge to dance about. That sort of “body language” is certainly alien to our Western culture, unfavorable to contemplation and its origins are rather suspect. Most of the time our congregations, which already find it hard not to confuse the crochets and the quavers in a 6/8 bar, do not respect the rhythm; then one no longer feels like dancing, but with the rhythm gone to pieces, the habitual poorness of the melodic line becomes all the more noticeable.”
— Unnamed choirmaster (Northern France) circa 1986

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Homiletic & Pastoral Review: Article by Fr. Friel
published 21 January 2013 by Corpus Christi Watershed

ATHER DAVID M. FRIEL studied Theology at St. Charles Borromeo Seminary, and currently serves as Parochial Vicar of Saint Anselm Parish (Philadelphia, PA). He was ordained to the Catholic Priesthood in May of 2011. His most recent article appears in Homiletic & Pastoral Review (Ignatius Press) and deals with the New Translation of the Roman Missal. This brilliant article can be read in its entirety here:

* Roman Missal 3.0: Updates Installed [url]

To Fr. Friel, we say “Bravo!”