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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In every age, the challenge is the same

Dr. Peter Kwasniewski · January 17, 2013

BIBLE PASSAGE that has always struck me very forcefully is Romans 12:1–2: “I appeal to you therefore, brethren, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world but be transformed by the renewal of your mind, that you may prove what is the will of God, what is good and acceptable and perfect” (RSV).

Saint Paul is appealing to us by the very mercies of God, so this must be serious stuff indeed. And what is he asking us to do? To present our bodies as living sacrifices: to make of ourselves, even in our bodiliness—“from top to bottom,” one might say—a pleasing sacrifice to the Lord. And he says that if we do this, it counts as our spiritual worship. He could not be clearer in affirming the fundamental unity of man as a creature of body and soul, who worships the Lord as one being, not as a mind doing its own thing and a body left behind to do its own thing. Then, as if to explain further what he means, he says that we must not take on the form of this world, but rather be transformed through those good, acceptable, and perfect things that express God’s will. And this will amount to a re-creation of us, a making new of what has become old, stale, and wretched in our fallen nature: “Behold, I make all things new,” as Jesus says in the Book of Revelation (21:5).

There could not be a teaching more timely and more urgent in our day, when Catholicism has been reduced in its glory and transformative power by decades of facile conformism to the fads and fashions of a secular anti-culture. Nowhere can this be seen more evidently than in the realm of sacred music for the liturgy. Saint Paul’s solemn appeal to give ourselves body and soul to the spiritual worship of God, resolutely turning our backs on this world’s depraved, tawdry, or imperfect offerings, was ignored, even denied, as churches were filled with insipid or heretical lyrics, worldly rhythms, and secular styles.

Thanks be to God, a reversal is beginning to be seen, and a growing number of musicians are taking a different path—one that is genuinely new, with the freshness of the Spirit that hovers over the Church in all ages, not the oldness of the flesh celebrated in the carnal carnival of contemporary society. Centuries of magnificent musical treasures inspired by the Holy Spirit are being newly discovered and sung, in accord with the manifest mind of the Church. And new music worthy of the temple of God is being written—music that strives to be good, acceptable, and perfect, by the high standards of the Sacrifice of Praise.

In every age, the challenge is the same. Christianity should inform culture and transform the world, rather than being informed by the prevailing secular culture and being itself transformed into a second-rate image of the world. We must always be on guard lest the world mould our minds after its image, rather than letting ourselves be renewed in our minds after Christ’s image.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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