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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nothing That Requires Explanation?

Dr. Peter Kwasniewski · February 28, 2013

N SACROSANCTUM CONCILIUM 34 we read: “The rites should be distinguished by a noble simplicity; they should be short, clear, and unencumbered by useless repetitions; they should be within the people’s powers of comprehension, and normally should not require much explanation.” In the new climate of a sincere, open, and honest discussion of the documents of Vatican II, we might genuinely wonder about the legitimacy of that last idea―“and normally should not require much explanation.”

First, there is no such thing as a born Christian, nor a man naturally attuned to symbolism, especially in our age of asymbolic emptiness, when the most elementary religious instincts have been lost or perverted. Everyone needs to learn the meaning of symbols and symbolic gestures. Indeed, one of the most important elements of catechesis is to inculcate the Christian mystagogy, the meaning of all the aspects of Christian worship. Once a layman has learned the meaning of the rituals, gestures, prayers of the ancient rite, he never needs to have them explained again; they remain deeply lodged in the heart, fecundating his spiritual life.

Thus, turning the Council’s statement on its head, the liturgy in absolutely every respect MUST be explained if it is to have and retain any meaning at all. The statement that nothing should need to be explained refutes itself from the very definition of symbol and ritual, which are interpretive motions towards God and cannot be absent from worship unless it degenerates completely into no more than an organized social gathering where greetings and handshakes are exchanged. This kind of formal coffee hour, of course, would need no explaining; but it is also not worship in any sense of the word, much less the renewal of the Sacrifice of Calvary.

To go further, the Council’s statement is strange, for the simple reason that anything profound requires explanation, inculcation, catechesis―the liturgy above all, as testified in Romano Guardini’s masterful sermons on the liturgy, which he preached to an appreciative congregation. To say that the liturgy should somehow be “transparent” in the sense of requiring no prior formation―something quite contrary to the elaborate initiatory practice of the early Church, which prepared her catechumens with such care (how ironic in this age of supposed “return to antiquity”!)―is to set up not only an impossible but an anti-liturgical goal.

To go further still, the traditional Roman liturgy is, in a way, far more transparent, far more immediately understandable, because it is more attentive to the majesty and solemnity of the sacrifice and does not attempt to simplify (and thereby cheapen) the contents of worship. Quietly ignoring the question of audience response, it is nonetheless capable of eliciting an immediate response of a far deeper quality. This is why good-hearted Catholics who attend the ancient liturgy may come away perhaps a bit confused as to the details but still filled with a sense of mystery and majesty, aware of the sublime and unique nature of true Christian worship. Provided that they understand the rudiments of Catholic doctrine, they have seen and heard the mystery of the word of God and the Holy Eucharist; they do not need an immediate explanation of every detail. They will grow into the details over time, especially if the priest does his job by judicious explanations in sermons, as any good traditional priest would do.

The real crisis at the time of the Council was that priests were no longer devoted to, and no longer cared to preach about, the mysteries, the rituals, the symbols. Thus the Consilium of Paul VI thought to solve the problem by fabricating a symbolically “obvious” ritual, and succeeded, as Catherine Pickstock argues, in giving us something nearly totally devoid of symbolic richness, subtlety, and depth. In a sort of inversion of Catholic incarnational spirituality, they surrendered to the anti-symbolic, anti-sacral carnality of the modern world, where obsession with the flesh―that is, the palpable, immediate, obvious, no-need-to-be-explained environment of daily experience―clouds over the apprehension of invisible spiritual realities.

Yet another reason for Summorum Pontificum, which has inaugurated the liturgical renewal that the Council attempted but, thanks to the snares of ideology, failed to achieve.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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