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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nature’s Solitary Boast

Fr. David Friel · December 9, 2013

HEN GOD CREATED Adam & Eve, He gave them a beautiful place to live and abundant food to eat. But things went wrong. Adam & Eve, tempted by the notion that they could become like God, ate the forbidden fruit.

Adam & Eve were later blessed with the gift of children. But things went wrong. In a fit of jealous rage, Cain killed his brother, Abel.

When Moses led the Israelites out of slavery in Egypt, the Lord made a covenant with His people and gave them the Ten Commandments to guide their way. But things went wrong. As soon as Moses came down from Mt. Sinai, he found the people drinking & carousing & worshipping golden calves they had fashioned as idols.

When the Israelites demanded a king, the Lord gave them David, the great warrior who had conquered Goliath & all the Philistines and received the promise of God’s abiding help. But things went wrong. In an effort to cover up his sin of adultery, David had Uriah, the wife of Bathsheba, murdered, and eventually the Kingdom of Israel was divided.

Centuries thereafter, a man named Jeremiah was called to be a prophet and to bring the chosen people back to the practice of their faith. But things went wrong. The people rejected, arrested, imprisoned, and disgraced Jeremiah, and their apostasy led to the fall of Jerusalem and their captivity at the hands of King Nebuchadnezzar and the Babylonians.

On went the centuries, and things never seemed to get into gear. Just when it seemed like God was making headway with His people, something always went wrong to pull the carpet out from under Him. Time after time, people rebelled against God’s will.

It was beginning to seem as though God were incapable of creating anything good. It seemed like He couldn’t create a person who would simply love Him with all their heart. It seemed like God’s whole experiment with creation might have been a mistake—even a failure.

And then He made Mary.

Whereas all the descendants of Adam & Eve had been held captive to the guilt of original sin, Mary was a different case. By an extraordinary act of God’s mercy, Mary was preserved from the very moment of her conception from any stain of that original sin. The Lord created her as the Immaculate Conception—utterly pure, totally clean, absolutely untainted.

With the creation of Mary and her perfectly pure spirit, there was all of a sudden a new glimmer of hope for humanity. My parish patron, Saint Anselm, wrote many beautiful things about the Mother of God. In today’s Office of Readings, one encounters this insight from one of his sermons:

Blessed Lady, sky and stars, earth and rivers, day and night—everything that is subject to the power or use of man—rejoice that, through you, they are in some sense restored to their lost beauty and are endowed with inexpressible new grace. . . . God, then, is the Father of the created world and Mary the Mother of the re-created world.

Regardless of all the failings of those who had gone before her (and all those who have gone after her), Mary’s humble surrender to the will of God has brought about a new dawn of hope for all mankind. All of the previous rejections of God and His Word and His prophets were redeemed by the gracious obedience of Mary, who said “Yes” to God and, by her very existence, proved that God could create creatures to love Him.

Because of Mary, God’s work of creation can never be accused of being a failure. Not only is God capable of creating us well, He has fashioned all of us to be “capable of Him.” In philosophy, we say that men and women are capax Dei—“capable of God.” When we look at the history of the Old Testament, the history of the Church, and the history of our own personal lives, we can easily become ashamed of the countless sins and rejections of God’s love that we see. But we are not defined by our sins; we are defined by the capacity we have for holiness.

Humanity first caught a glimpse of the tremendous capacity we have when God created Mary as the Immaculate Conception. O Mary, conceived without sin: pray for us who have recourse to thee!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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