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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Recovering the Greatness of the Roman Rite

Dr. Peter Kwasniewski · December 5, 2013

irish bishop UST YESTERDAY we recalled the 50th anniversary of the promulgation of Vatican II’s Constitution on the Sacred Liturgy, Sacrosanctum Concilium. That anniversary brought back to mind a little conversation that occurred 8 years ago.

One day, after attending Divine Liturgy, my son said to me (it was only a couple of months after his sixth birthday): “The Greeks are the ones who started the divine liturgy, right? I mean, they were the first to do it so beautifully, with all that singing and stuff?”

His question pierced me to the heart, because it showed that he experienced the Byzantine liturgy as primordially beautiful and the Latin rite as a second-best. In the forms he had seen most often, either the Novus Ordo or the Tridentine Low Mass, it had a minimum of beauty of chant and ritual. Ex ore infantium: surely we could take a cue from a child, and reinstate some of the beauty and solemnity that was once also ours?

At Stift Heiligenkreuz, a magnificent Cistercian monastery not far from Vienna, although the liturgy is the Novus Ordo (in Latin), still the massive resonance of the prayers in the huge Romanesque church, the soaring voices of the monks singing the Gregorian chant they never abandoned, and the overall ethos of the community are so evidently focused on the Lord that when members of Eastern Orthodox churches visit, they feel quite at home. They can see it’s the real thing, not a substitute.

Alas, the way in which the Ordinary Form is celebrated at Heiligenkreuz is rare indeed; one might find comparable examples in the chapels of the Canons Regular of St. John Cantius, the chapels of some of the Oratories (like Oxford and London), and the Monastero di San Benedetto in Norcia, and while the numbers of such places are slowly increasing, it is still something one has to look around extensively to find. That celebrations of the revised Roman Rite with fitting splendor and solemnity have been so rare for the past forty-odd years says much, far too much, about how Church authorities have seen fit, or not seen fit, to regulate the liturgy since the late sixties.

One Sunday years ago, I took a bunch of students with me to a Solemn High Mass in the usus antiquior. A Greek Catholic seminarian from Ukraine, who is now a priest in his own rite, reacted with open-eyed wonder at the beauty of this Mass (he had never seen anything like it in all his years of friendship with Roman Catholics), and said to me afterwards, incredulously: “Why did they have to change that liturgy?”

Once the Mass was changed—or as long as it seemed to people that the Mass had indeed been made over from head to toe and that it could suffer infinite permutation—the foundation of our faith was shaken, and in practice the faith has never recovered the lost ground. On the contrary, it lost far more ground than most people are close to realizing, let alone admitting. We are still officially in the phase of denial; witness the many Vatican documents that still, to this day, praise the reform as a great success whose “riches” only need to be further unfolded, while a few “shadows” have to be corrected. Those shadows were already pointed out in the seventies and eighties, yet most of them remain uncorrected in the majority of dioceses around the world.

Consider this passage from John Paul II’s Dominicae Cenae of 1990:

It is therefore very opportune and necessary to continue to actuate a new and intense education, in order to discover all the richness contained in the new liturgy. Indeed, the liturgical renewal that has taken place since the Second Vatican Council has given, so to speak, greater visibility to the Eucharistic Sacrifice. One factor contributing to this is that the words of the Eucharistic Prayer are said aloud by the celebrant, particularly the words of consecration, with the acclamation of the assembly immediately after the elevation.

As those who are familiar with it know, the ancient Roman rite gives far greater prominence and visibility to the Eucharistic sacrifice: it expresses the sacrificial character of the Mass with an unambiguous clarity of text and ritual. Not surprisingly, there was no crisis before the Council in regard to faith in the Real Presence of Jesus Christ in the Eucharist and faith in the Mass as a true and proper sacrifice. There were plenty of other problems, to be sure, but this did not seem to be at the top of the list. And yet, how often will we find Catholics today, brought up on the Novus Ordo, who have heard, let alone believe, that the Eucharist is the unbloody renewal of the Sacrifice of Calvary, and that it is, in reality, in truth, in substance, His very Body and Blood—to receive which we must be purified and properly disposed lest we commit an unspeakable offense? Would the liturgy, as these Catholics have experienced it, successfully convey those saving truths—or would the defined dogmas about the Mass and the Eucharist sound strange, perhaps even absurd to him?

“The Greeks are the ones who started the divine liturgy, right? I mean, they were the first to do it so beautifully, with all that singing and stuff?”

“No, son, our Roman Mass is actually, at its heart, the most ancient of all the liturgical rites in the world, more ancient even than the Byzantine liturgy we just attended. But the East kept their tradition alive while we, for a time, have put ours away in a closet. We are trying to bring it out into the light again, and I’m sure the East won’t mind if we take some inspiration from them.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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