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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A hymn for St Mary of the Cross

Veronica Brandt · August 17, 2013

HE WEEKEND BEFORE LAST saw the annual pilgrimage from the Maternal Heart of Mary Church to the shrine of St Mary of the Cross in North Sydney. They set off at about 12 noon aiming to arrive at the tomb of the saint for Vespers at about 5pm. There’s lots of historic sandstone, rosaries, banners, hymns and a walk across the Sydney Harbour Bridge, then the final climb up Mount St to the Memorial Chapel. God willing I’ll be there next year.

St Mary of the Cross is better known as Mary MacKillop, Australia’s first canonised saint. She founded the Sisters of St Joseph of the Sacred Heart and set up schools for poor children.

And here is the hymn. Written by Rev. Fr. Dominic Popplewell of FSSP Canberra.

THOU maiden-mother’s progeny,
O Jesu, holy Virgins’ King,
we raise our lowly hearts to thee,
another fruitful Virgin sing.

The glory of her maidenhead
devoted to her Spouse divine,
in wedlock mystical, she bred
the daughters of a noble line.

The ocean vastness braving, fared
her parents to a distant shore,
by faith and love their child prepared
to seek the pearl of hidden store.

The lambs of Christ she saw bereft
of guidance and of nourishment:
his Cross to bear, all else she left,
his Heart to please made all her bent.

His Providence was all her fund,
his Foster-father all her ward;
all other maintenance she shunned:
her spirit, all unladen, soared.

The stroke of gladness or of woe,
when it befell, could never change
her purpose, sway her to forgo
her plighted faith, true love estrange.

O blessed Mary, in the train
of that fair Bridegroom, that great Lord,
the spotless Lamb for sinners slain,
pray him for us, grace to afford.

May he from every fell design
the purchase of his pain defend,
where his device he bids to shine
amid the stars, his mercy send.

The land that owns thy mortal birth
be now the claimant of thy care,
and every clan of men on earth
the heirs of thy deserts and prayer.*

Then to the bounteous One-and-Three
whence all things are, where all things tend,
true Godhead, sovereign mastery,
be praise and glory without end.

Amen.

It is suggested to be sung to the tune Jesu corona virginum (here written out in full for easy singing).

In case 10 stanzas is a little long, here is a four verse hymn I prepared earlier.

* or “gain by thy merits and thy prayer.” as you prefer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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