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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Tale Of Two Monsignori: Schmitt & Vyverman

Jeff Ostrowski · April 22, 2013

EADERS KNOW very well my admiration for Flor Peeters and his associates at the Lemmens Institute, so I need not repeat that at this time. However, I need to remind readers the Lemmens Institute is located in a place called “Mechelen” in Belgium. It turns out “Mechelen” can also be written as “Mechlin” and “Malines,” depending on which language a person is using at the moment. In the article below, I notice that Msgr. Schmitt (who liked to be called “Father Schmitt”) spells the region as “Malignes.” Fr. Schmitt was a notoriously bad editor when it comes to spelling and proofreading (and he often made fun of his abilities in these areas). I’m not sure whether “Malignes” is technically a correct variant spelling or simply an error on his part. Very soon, this Blog will allow comments. If we had comments enabled right now, I’m sure some Dutch-speaker could tell me whether it was a typo. In any event, I thought it would be fun to use “Malign” in the subtitle (hence: Did Schmitt malign Vyverman of Malines?).

Here’s the article I spoke of by Fr. Schmitt:

* *  7521 • Article by Msgr. Frank Schmitt (Winter, 1962) [pdf]

As alluded to above, Msgr. Jules Vyverman was an associate of Flor Peeters at the Lemmens Institute. Vyverman contributed to the Nova Organi Harmonia, along with Msgr. Jules Van Nuffel, Marinus de Jong, Gustaaf Nees, Henri Durieux, and Father Edgard de Laet. A picture of Vyverman is in the upper right corner.

In Schmitt’s article, he mentions a chant method by Msgr. Vyverman. I’ve never seen it. I sure would like to obtain it someday.

As I was reading, I saw that Schmitt spelled Joseph Gogniat as Joseph Cogniat. I thought to myself, “Ouch, there’s a typo.” Reading more, I saw that Schmitt spelled Gogniat as Cogniat a second time. That would seem to indicate he truly forgot Gogniat’s name, which is really odd considering Schmitt’s admiration for Dr. Peter Wagner and his student (Gogniat).

P.S.

Don’t be to bothered by Schmitt’s attacks on the Solesmes ictus. This is a constant theme (obsession?) with him. It would have been better for Schmitt to have simply said, “I don’t like the ictus. I don’t find it helpful to make my choirs sing beautifully.” Instead, he chose to write volume after volume about the ictus. In the end, it made very little difference. Schmitt pushed for Rembert Weakland to be CMAA President. (Weakland is a disgraced Catholic bishop who did tremendous harm to the Catholic Church). Schmitt thought having a bishop as President would make the Conference of Catholic Bishops listen to the CMAA. It totally backfired. Weakland ended up pushing for the “hootenanny Mass” and I think he only lasted one year as CMAA President.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Francis P Schmitt Last Updated: September 13, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

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