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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ephphetha

Fr. David Friel · September 14, 2012

I vividly remember the first Baptism I ever performed. I had been ordained a transitional deacon just a week or two earlier, and I was scheduled to baptize one child that day. It was at Our Lady of Mt. Carmel Church in Doylestown, the parish where I was raised, and the baby’s name was going to be “DYLAN.” Fortunately for me, I realized about three minutes before the Baptism began that DYLAN . . . was a girl!

I remember that Baptism so vividly because, to be honest, it was only the second Baptism I ever attended, other than my own. I’m the youngest of four children, my only niece so far was born just last year, and I didn’t grow up with any younger cousins. So, since I was really the youngest in the family, I never had any occasion to go to a Baptism.

One of the prayers in the Baptismal ritual that has struck me ever since that day is an option right at the end of the ceremony. The prayer says this: “The Lord Jesus made the deaf hear and the dumb speak. May He soon touch your ears to receive His Word, and your mouth to proclaim His faith, to the praise and glory of God the Father.” As the priest (or deacon) prays that prayer, he touches his thumb to the baby’s lips and ears. (I remember that vividly, too, because DYLAN tried to bite my thumb!) What a beautiful prayer this is, symbolically asking that the senses of the child might be open to receive the Gospel message.

Obviously, this prayer has its roots in the healing story of Mark, chapter 7, which we heard on Sunday. In fact, the prayer is even called the Ephphetha prayer, after the Hebrew word Jesus uttered to command the senses of the deaf-mute man to “be opened.” Is this an amazing miracle? Certainly. But the story is about much more than just the physical healing of one deaf-mute man. It is a story that concerns every one of us. But, “We’re not deaf and mute,” we might protest. Or are we?

For sure, there are times when we wish we were deaf. Every time I hear the song, Call Me Maybe, I wish I was deaf! But, are there times we actually are—really, truly—deaf?

We may be basically good, church-going people, but it’s probably true of all of us that we can sometimes be deaf to the needs of those around us.
• Are we as husbands and fathers sometimes deaf to our wives and children and their need for our strength & compassion?
• Are we as wives and mothers sometimes deaf to our husbands and children and their need for affirmation & affection?
• Are we as children sometimes deaf to the simple requests of our parents and teachers?
• Can all of us turn a deaf ear to the in-laws & crazy cousins & chatty neighbors who bother and frustrate us, rather than extending a listening ear?
• Perhaps we like to be deaf to the poor around us—the homeless folks we drive by, the immigrants we see on TV, and the aging parents we choose not to visit.

In addition to our deafness, I suspect there are ways we all allow ourselves to become mute.
• It can be as simple as the famous scene in the cafeteria, in this first week of school: do we extend an invitation to the loner to sit at our table?
• Are we quick to give compliments, or do we hold back our praise?
• We’ve learned so much this past year about the scandal and destruction that comes from being silent about abuse, rather than doing the right thing and speaking up.
• Do we have the courage to take a public stand against injustices like abortion and euthanasia and same-sex partnerships?
• Maybe someone in our family struggles with addiction, but we just can’t get up the gumption to confront them, and instead we become a mute enabler.

Our Blessed Lord wants us to know that to be physically deaf or physically mute is not some arch-evil. I’ve known several people who are deaf or mute or blind, and I know they would testify that they live very happy and fulfilling lives. The far greater tragedy is when we allow our hearts to be deaf and our consciences to be muted.

As the minister prayed over us on the day of our own Baptism: May the Lord Jesus touch our ears to receive His Word and our mouths to proclaim His faith, to the praise and glory of God the Father!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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