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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew’s Orations

Fr. David Friel · November 30, 2012

HE ORATIONS for today’s feast of Saint Andrew are a fine example of the genius of the Roman Rite. That genius has become all the more clear through the 2010 English translation of the Missal. The new Missal, by its precision & fidelity, transmits many more nuances from the original Latin than the former Sacramentary had conveyed. In Andrew’s orations, the case is clear.

The Collect uses four titles to describe Andrew, whom the Orthodox remember as the Πρωτόκλητος (“First Called”) among our Lord’s disciples. It is fitting that this first oration should incorporate titles, so as to recall the identity and role of the saint being celebrated. The titles in the Collect appear in this order: Apostle, preacher, pastor, and intercessor. These ideas were weakly captured in the Sacramentary thusly: apostle, to preach, guide, and friend. I find all four titles to be rendered with greater strength in the new prayer. Apostle is now capitalized, the label of preacher is stronger than the infinitive, pastor means much more than guide, and an intercessor is something far more defined (though not other) than a friend.

The new Prayer over the Offerings magnificently prays that the elements “which we bring” to the altar may please God “by what we have brought and be given life by what you have accepted.” The structure of the prayer highlights the action of bringing and receiving gifts in such a prominent manner that, as I offered Mass this morning, the prayer immediately called to mind the feeding of the five thousand, where it was Andrew who noticed the boy with the loaves and fishes and brought them to the Lord. This brilliant allusion is so subdued as to be unrecognizable in the former Prayer over the Gifts.

The Prayer after Communion, also, alludes to an aspect of this great saint’s life. It has long been held that Andrew was martyred on a cross in the form of a Greek chi, equivalent to the letter X. This tradition is obliquely referenced by the new oration in its request that “we, who carry in our body the Death of Christ, may merit to live with him in glory.” The marvelous Pauline language of that prayer had formerly been rendered into the anemic line, “By sharing in Christ’s suffering may we live with him for ever.”

These three orations inspire me not only to seek the intercession of Saint Andrew, but also to acknowledge the inherent genius of the Roman Rite. I am grateful to God that this genius now flowers forth more fully from the Roman Missal in English.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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