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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Underground Church

Fr. David Friel · November 25, 2012

NCE UPON A TIME, there was a young man who grew up in a large family. He was the third of eleven children. He had a great sense of humor, and he was very devoted to prayer—so much so that he decided he wanted to become a priest. Just at the time he was beginning his studies to become a Jesuit priest, though, a new ruler came to power in his country.

This new ruler wrote new laws into the country’s constitution that were specifically designed to suppress the public practice of religion. Article 3 of this new constitution mandated secular education in schools, prohibiting the Church from participating in primary and secondary education. Article 5 outlawed monastic religious orders. Article 24 forbade public worship outside of church buildings. Article 27 restricted the rights of religious organizations to own property. Article 130 made it illegal for priests to dress as priests and denied them the right to vote.

Because of these new laws, the Church was basically forced to go underground. As a result, the young man who aspired to become a Jesuit was sent to another country to complete his studies and be ordained. A few years later, when he became a priest, he returned to his home country. The way he went about being a priest was very different than the way I go about being a priest. Whereas I walk and run and drive around the Parkwood Manor section of Philadelphia trying to bring the Gospel to our neighborhood as publicly as I can, this young priest had to do things differently. He went to visit and minister to his people in their places of work, but he had to wear costumes so he wouldn’t be discovered. He would gather people in small groups in basements and attics to celebrate Mass for them. He heard their confessions while walking covertly in the streets.

The local police became aware that there was a priest secretly operating in this particular area, so they sought him out. They eventually discovered him and arrested him. Then, without even the pretense of a trial, it was decided that he should be executed. He was led out of his prison cell and taken to a courtyard. A guard asked what his final wish would be, and the priest said he wanted to pray. So he knelt down for a moment on the ground, praying for his family, the guards, and for the conversion of the ruler who had imposed the new laws. When he stood up, he stretched out his arms to his sides, in the shape of a cross, clutching a rosary in one hand and a crucifix in the other. As the firing squad took their aim, he yelled out, “Long live Christ the King!” And he was shot to death.

Fact or fiction? Is that a fairy tale, or is it a true story? It is, in fact, a true story—down to every detail. When do you think it happened? Where could something like this happen? Maybe around the time of Nero’s persecutions in Rome? Perhaps in the era of English recusancy? Maybe around the time of colonialism in West Africa?

No—this all happened in Mexico in the 1920’s. The name of the cruel ruler was President Plutarcho Calles. He instituted his new laws persecuting the Church in the Mexican Constitution of 1917. And the name of the young priest was Miguel Pro, whom we now call Blessed Miguel Pro. Does all this surprise you as it surprises me? This didn’t happen a million years ago in a distant, unknown land. This happened less than a century ago in a country with whom we share a border. There are people alive today who knew Blessed Miguel Pro. There are photographs of his execution.

I am inspired by this story. It motivates me. I admire the extraordinary zeal of a young priest on fire with the faith. Even in the face of abject persecution, the Mexicans who remained faithful to Christ and led the Cristero counter-rebellion are a model for us. They teach us fidelity to Christ above all else. It’s not merely coincidental that the Solemnity of Christ the King was established by Pope Pius XI—in the 1920’s. This story and this solemnity teach us that Christ, alone, must be our King: not a government or a president, not “financial security”, not secularism, not sports, not alcohol or drugs, and not ourselves. There is room for only one King on the throne of our hearts, and we must zealously guard that seat for Christ.

Friends: if this could happen in 1920’s Mexico—a place that had long been one of the most Catholic countries in the world—it could happen again. Even in “the land of the free and the home of the brave,” we are confronted every day with the dictatorship of relativism and secularism. We live & breathe & work in an atmosphere that can be toxic to faith if we allow it to be. Instead, may we have the spirit & energy & faith that animated Blessed Miguel Pro! May every heartbeat of ours reecho his stirring last words: Viva Cristo Rey!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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