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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Holy Communion

Fr. David Friel · May 17, 2012

With very few exceptions, I don’t like movies. I get bored or annoyed or offended by them, and then I fall asleep. One exception is Young Frankenstein. Among my most favorite of my many favorite lines in that film is the classic quip from Igor: “Wait Master! It might be dangerous. . . . You go first.”

I think we’ve all experienced that moment before, when we are metaphorically the first in line to jump out of the airplane and we’d rather someone else go first just to get things started. The awkward moment may have occurred atop a diving board or behind a podium or in the on-deck circle. Igor captures well the sentiment we have all shared at some point, wherever we might have been: the feeling of desperation as we scramble for a much-needed sense of security.

This strikes me not only as a natural reaction, but also as a very supernatural notion. Is it not good for us to have fellowship with those around us, encouraging us onward? Jesus, Himself, says: “If I go and prepare a place for you, I will come back and take you to Myself so that where I am, you also may be. Where I am going, you know the way” (John 14:3-4). Jesus, here, volunteers to be the first one to jump, the opening speaker, and the lead-off batter. In a sense, He makes it easy for us. All we have to do is follow.

I remember having this feeling in the years before I was ordained a deacon. I knew the men in the classes ahead of me well, and I recall experiencing a sense of relief as I watched my friends be ordained. “If they can lay down their lives for Christ and the Church, so can I.”

The experience reversed itself a bit this past weekend. I’ve been a priest for nearly a year, and I had the joy on Saturday of concelebrating the ordination Mass of three more friends to the diaconate. Again, I must confess to experiencing a sense of profound relief. “I’m not alone; there are people coming after me!”

The Lord surely must have felt that way. At the outset of His ministry, He had said to Simon & Andrew, “Come, follow Me” (Mark 1:17). When they went out on Pentecost proclaiming the Kingdom and when “thousands were added to their number” (Acts 2:41), do you not think Jesus would have been exuberant: “I’m not alone; there are people coming after me!”

The experience of these years of friends’ ordinations has taught me something profound about Communion. It is good to have others go before us; and it is good to have others follow behind us. We are never alone. God is really with us. Whether things are dangerous or not, He always goes before us, like the pillar of fire of old.

This kind of Communion serves magnificently to “confirm the brethren” (Luke 22:32). It draws us out of our individualism and situates us in the context of the mystical Body of Christ. This inspires me to “tell the next generation that such is our God, our God forever and always; it is He Who leads us” (Psalm 48:14)!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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