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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Holy Communion

Fr. David Friel · May 17, 2012

With very few exceptions, I don’t like movies. I get bored or annoyed or offended by them, and then I fall asleep. One exception is Young Frankenstein. Among my most favorite of my many favorite lines in that film is the classic quip from Igor: “Wait Master! It might be dangerous. . . . You go first.”

I think we’ve all experienced that moment before, when we are metaphorically the first in line to jump out of the airplane and we’d rather someone else go first just to get things started. The awkward moment may have occurred atop a diving board or behind a podium or in the on-deck circle. Igor captures well the sentiment we have all shared at some point, wherever we might have been: the feeling of desperation as we scramble for a much-needed sense of security.

This strikes me not only as a natural reaction, but also as a very supernatural notion. Is it not good for us to have fellowship with those around us, encouraging us onward? Jesus, Himself, says: “If I go and prepare a place for you, I will come back and take you to Myself so that where I am, you also may be. Where I am going, you know the way” (John 14:3-4). Jesus, here, volunteers to be the first one to jump, the opening speaker, and the lead-off batter. In a sense, He makes it easy for us. All we have to do is follow.

I remember having this feeling in the years before I was ordained a deacon. I knew the men in the classes ahead of me well, and I recall experiencing a sense of relief as I watched my friends be ordained. “If they can lay down their lives for Christ and the Church, so can I.”

The experience reversed itself a bit this past weekend. I’ve been a priest for nearly a year, and I had the joy on Saturday of concelebrating the ordination Mass of three more friends to the diaconate. Again, I must confess to experiencing a sense of profound relief. “I’m not alone; there are people coming after me!”

The Lord surely must have felt that way. At the outset of His ministry, He had said to Simon & Andrew, “Come, follow Me” (Mark 1:17). When they went out on Pentecost proclaiming the Kingdom and when “thousands were added to their number” (Acts 2:41), do you not think Jesus would have been exuberant: “I’m not alone; there are people coming after me!”

The experience of these years of friends’ ordinations has taught me something profound about Communion. It is good to have others go before us; and it is good to have others follow behind us. We are never alone. God is really with us. Whether things are dangerous or not, He always goes before us, like the pillar of fire of old.

This kind of Communion serves magnificently to “confirm the brethren” (Luke 22:32). It draws us out of our individualism and situates us in the context of the mystical Body of Christ. This inspires me to “tell the next generation that such is our God, our God forever and always; it is He Who leads us” (Psalm 48:14)!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Palestrina wrote two Masses in honor of the Blessed Virgin—one “a 6” before the Council of Trent, consequently with the tropes, and first published in 1570. In 1599 it was republished in Palestrina “Missarum Liber III” with the tropes removed, and in their place the liturgical words of the “Gloria” reiterated.

— Henry Coates

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