Little Office of the Blessed Virgin Mary

Veronica Brandt · December 26, 2020

Chasing the Little Office of the Blessed Virgin Mary

I thought making a course on singing the Little Office would be an easy project. However, as with just about everything to do with Sacred Music, there is so much more to it than you expect.

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Veronica Brandt · May 30, 2020

Singing the Little Office of the Blessed Virgin Mary

The Baronius Press edition is beautiful, but lacks important markings for singers.

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Veronica Brandt · May 16, 2015

Memento Rerum Conditor

The hymn most frequently appearing in the Little Office of the Blessed Virgin Mary has finally made it to youtube!

20 January 2021 • REMINDER

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—Jeff Ostrowski

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski