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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Translation Missal Chants (free videos)

 

For free organ accompaniments
by Jeff Ostrowski, please click here.

To purchase a CD recording
for these chants, please click here.


1 • VIDEO (click here) • Introductory Rites: Greeting • PDF (©ICEL)
“In the name of the Father, and of the Son, and of the Holy Spirit . . . .”

2 • VIDEO (click here) • Introductory Rites: Penitential Act • PDF (©ICEL)
“Brethren, let us acknowledge our sins, and so prepare ourselves to celebrate . . . .”

3 • VIDEO (click here) • Introductory Rites: Kyrie • PDF (©ICEL)
“Lord, have mercy. Lord, have mercy. Kýrie Eléison. Kýrie Eléison . . . .”

4A • VIDEO (click here) • Introductory Rites: Glória Incipits
“Glória in excélsis Deo . . . .” (priest intonations)

4B • VIDEO (click here) • Introductory Rites: Glória (ENGLISH) • PDF (©ICEL)
“Glory to God in the highest, and on earth peace to people of good will . . . .”
click here to view free settings of the new ICEL Gloria (for cantor and organ)

4C • VIDEO (click here) • Glória (LATIN) version #1 (Triors) • PDF (©ICEL)
“Glória in excélsis Deo et in terra pax homínibus bonae voluntátis. Laudámus te . . . .”

4D • VIDEO (click here) • Glória (LATIN) version #2 (Lalemant) • PDF (©ICEL)
“Glória in excélsis Deo et in terra pax homínibus bonae voluntátis. Laudámus te . . . .”

4C • VIDEO (click here) • Glória (LATIN) version #3 (MJC) • PDF (©ICEL)
“Glória in excélsis Deo et in terra pax homínibus bonae voluntátis. Laudámus te . . . .”

5 • VIDEO (click here) • Liturgy of the Word • PDF (©ICEL)
“The Word of the Lord. Thanks be to God . . . .”

6 • VIDEO (click here) • Credo I • PDF (©ICEL)
“I believe in one God, the Father almighty, maker of heaven and earth, of all things . . . .”

7 • VIDEO (click here) • Credo III • PDF (©ICEL)
“I believe in one God, the Father almighty, maker of heaven and earth, of all things . . . .”

8 • VIDEO (click here) • Liturgy of the Eucharist: Orate, Fratres • PDF (©ICEL)
“Pray, brethren, that my sacrifice and yours may be acceptable to God, the almighty Father . . . .”

9 • VIDEO (click here) • Preface Dialogue • PDF (©ICEL)
“We lift them up to the Lord. Let us give thanks to the Lord our God. It is right and just . . . .”

10 • VIDEO (click here) • Sanctus (ENGLISH) • PDF (©ICEL)
“Holy, Holy, Holy Lord God of hosts. Heaven and earth are full of your glory . . . .”
click here to view free settings of the new ICEL Gloria (for cantor and organ)

11 • VIDEO (click here) • Sanctus (LATIN) • PDF (©ICEL)
“Sanctus, Sanctus, Sanctus Dóminus Deus Sábaoth. Pleni sunt cæli et terra glória tua . . . .”

12 • VIDEO (click here) • Memorial Acclamation • PDF (©ICEL)
“We proclaim your Death, O Lord, and profess your Resurrection until you come again . . . .”

13 • VIDEO (click here) • Doxology • PDF (©ICEL)
“Through him, and with him, and in him, O God, almighty Father, in the unity of the . . . .”

14 • VIDEO (click here) • Lord’s Prayer, Embolism, and Doxology • PDF (©ICEL)
“At the Savior’s command and formed by divine teaching, we dare to say: Our Father . . . .”
Special Video Recording “Our Father” in the New Missal

15 • VIDEO (click here) • Sign of Peace • PDF (©ICEL)
“Lord Jesus Christ, who said to your Apostles, Peace I leave you, my peace I give you . . . .”

16 • VIDEO (click here) • Agnus Dei • PDF (©ICEL)
“Lamb of God, you take away the sins of the world, have mercy on us . . . .”

17 • VIDEO (click here) • Invitation to Communion • PDF (©ICEL)
“Lord, I am not worthy that you should enter under my roof, but only say the word . . . .”

18 • VIDEO (click here) • The Concluding Rites • PDF (©ICEL)
“The Lord be with you. And with your spirit. May almighty God bless you, the Father . . . .”

19 • VIDEO (click here) • Dismissal • PDF (©ICEL)
“Go forth, the Mass is ended. Thanks be to God. Go an announce the Gospel of the Lord . . . .”

20A • VIDEO (click here) • Part 1: Eucharistic Prayer no. 1 • PDF (©ICEL)
“To you, therefore, most merciful Father, we make humble prayer and petition . . . .”

20B • VIDEO (click here) • Part 2: Eucharistic Prayer no. 1 • PDF (©ICEL)
“Therefore, O Lord, as we celebrate the memorial of the blessed Passion, the Resurrection . . . .”

21 • VIDEO (click here) • Eucharistic Prayer no. 2 • PDF (©ICEL)
N.B. Before Eucharist Prayer no. 2, the Dialogue, Preface, and Sanctus are sung on this video.

22 • VIDEO (click here) • Eucharistic Prayer no. 3 • PDF (©ICEL)
“You are indeed Holy, O Lord, and all you have created rightly gives you praise . . . .”

23 • VIDEO (click here) • Eucharistic Prayer no. 4 • PDF (©ICEL)
“We give you praise, Father most holy, for you are great and you have fashioned . . . .”

NEW MASS TRANSLATION • Video tutorials courtesy of the CMAA
Many of these scores can be found at the ICEL website.

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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