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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

Richard J. Clark · June 1, 2018

HE CATHOLIC TV Network is launching its thirteen-part series on sacred music beginning, Monday, June 4th. Hosted by Stephanie Scogna (Artistic Director, Boston Art Song Society), the series explores over a millennium of music history through present-day genres and experiences. A most ambitious series, Scogna tackles subjects from Gregorian Chant to Navigating Vatican II on the parish level.

Based in Boston, the series includes visits to various churches, live performance from The Brookline Consort, and interviews with various music directors.

• The show airs (HD) on Mon. 8:30 A.M., Tue. 8:30 P.M., Fri. 12 A.M., and Sat. 5 P.M. (All Eastern times) Beginning June 4, 2018, there will be a new episode each week.

• Download topics, guests, and broadcast schedule here.

• In addition to cable, Catholic TV is available on several streaming platforms. Chick here for various ways to watch. You can also get more information at CatholicTV.org.

Preview: The Brookline Consort being filmed at Saint Cecilia Church, Boston:

Beautiful music, beautiful churches—what more could you ask for? Only 2 more days until the premiere of On a Sacred Note, hosted by StephScogna</a>! Watch it Monday at 8:30am ET and catch it again Tuesday at 8:30pm ET. <a href="https://t.co/P26jn62qfo">pic.twitter.com/P26jn62qfo</a></p>&mdash; CatholicTV (CatholicTV) June 2, 2018



N AN INTERVIEW IN Catholic TV Magazine (June, 2018) Stephanie Scogna talks about the series and what to expect:

“I am beyond grateful that we’ve been able to pack each episode of the series with so much: educational content, interviews with church Music Directors, and real-time performances of music from throughout the centuries, all filmed in the churches themselves! I consciously chose to feature churches and directors that I believe present coherent and invaluable music programs to the parishes they serve. We have so much amazing talent in the Archdiocese of Boston when it comes to early sacred music, including music directors Richard Clark, John Robinson, Janet Hunt, and Michael Olbash! After watching an episode of On a Sacred Note, viewers will have learned a bit about one of the liturgical music genres and/or time periods, heard an interview with a parish music director about his or her experiences with that music and watched a performance by dedicated musicians who study — and often specialize in — sacred music.

“Just as there is so much respect and awe to be found when we dig deep into the Church’s social history — including the challenges, the codification of doctrine, and the abundance of theological writings — so also can we find depth and meaning in her music. At the end of the series, it is my hope that viewers will feel more connected to the composers and musical traditions that played a role in Catholic life over thousands of years. More specifically, my wish is that our viewers will walk into Sunday Mass with a new attentiveness to this aspect of liturgical experience, and that discussion may continue on the parish level regarding how the music of the Church can move us to prayer, excite our spirits, and call us to greater reverence, grounded in the theology and tradition that it represents.” — Stephanie Scogna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic TV, On a Sacred Note Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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