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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“On a Sacred Note” • Catholic TV Network • 13 Part Series on Sacred Music

Richard J. Clark · June 1, 2018

HE CATHOLIC TV Network is launching its thirteen-part series on sacred music beginning, Monday, June 4th. Hosted by Stephanie Scogna (Artistic Director, Boston Art Song Society), the series explores over a millennium of music history through present-day genres and experiences. A most ambitious series, Scogna tackles subjects from Gregorian Chant to Navigating Vatican II on the parish level.

Based in Boston, the series includes visits to various churches, live performance from The Brookline Consort, and interviews with various music directors.

• The show airs (HD) on Mon. 8:30 A.M., Tue. 8:30 P.M., Fri. 12 A.M., and Sat. 5 P.M. (All Eastern times) Beginning June 4, 2018, there will be a new episode each week.

• Download topics, guests, and broadcast schedule here.

• In addition to cable, Catholic TV is available on several streaming platforms. Chick here for various ways to watch. You can also get more information at CatholicTV.org.

Preview: The Brookline Consort being filmed at Saint Cecilia Church, Boston:

Beautiful music, beautiful churches—what more could you ask for? Only 2 more days until the premiere of On a Sacred Note, hosted by StephScogna</a>! Watch it Monday at 8:30am ET and catch it again Tuesday at 8:30pm ET. <a href="https://t.co/P26jn62qfo">pic.twitter.com/P26jn62qfo</a></p>&mdash; CatholicTV (CatholicTV) June 2, 2018



N AN INTERVIEW IN Catholic TV Magazine (June, 2018) Stephanie Scogna talks about the series and what to expect:

“I am beyond grateful that we’ve been able to pack each episode of the series with so much: educational content, interviews with church Music Directors, and real-time performances of music from throughout the centuries, all filmed in the churches themselves! I consciously chose to feature churches and directors that I believe present coherent and invaluable music programs to the parishes they serve. We have so much amazing talent in the Archdiocese of Boston when it comes to early sacred music, including music directors Richard Clark, John Robinson, Janet Hunt, and Michael Olbash! After watching an episode of On a Sacred Note, viewers will have learned a bit about one of the liturgical music genres and/or time periods, heard an interview with a parish music director about his or her experiences with that music and watched a performance by dedicated musicians who study — and often specialize in — sacred music.

“Just as there is so much respect and awe to be found when we dig deep into the Church’s social history — including the challenges, the codification of doctrine, and the abundance of theological writings — so also can we find depth and meaning in her music. At the end of the series, it is my hope that viewers will feel more connected to the composers and musical traditions that played a role in Catholic life over thousands of years. More specifically, my wish is that our viewers will walk into Sunday Mass with a new attentiveness to this aspect of liturgical experience, and that discussion may continue on the parish level regarding how the music of the Church can move us to prayer, excite our spirits, and call us to greater reverence, grounded in the theology and tradition that it represents.” — Stephanie Scogna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic TV, On a Sacred Note Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

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