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Views from the Choir Loft

Communion Antiphons for Lent • RCIA and Scripture

Richard J. Clark · January 8, 2016

AM PLEASED to announce the release of my Communion Antiphons for Lent with World Library Publications. These thirteen antiphons are set from the English translation of the Roman Missal, Third Edition. All the verses set are those prescribed by Graduale Romanum.

This collection is also very useful as Candidates and Catechumens prepare for full initiation at the Easter Vigil. The Cycle A antiphons of the Third, Fourth, and Fifth Sundays of Lent tie in closely to each of the Scrutinies, reflecting the related Gospel reading.

This is generally the case with all communion antiphons, as they all point back to the Gospel or another important scripture of the day. Likewise, the verses, usually from the Book of Psalms, reinforce the day’s scriptures. For example, in the case of the antiphon for Palm Sunday, Father, if this chalice cannot pass… the verses are from Psalm 22, which is also the Responsorial of the day. But the seven verses of the communion proper dig even more deeply into the psalmist’s foretelling of the Lord’s Passion. Furthermore, it concludes with Psalm 22’s promise for all generations to remember and serve the Lord. Such scriptures make for a profound meditation while receiving our Lord in the Eucharist.

With regard to RCIA, a responsibility shared by all of the faithful, it is important that we pray and sing these scriptures in support of those seeking God’s call. This remains true not only during Lent, but during the period of mystagogy and beyond. It is the work of a lifetime.

Scores are available in hard copies or digital format:

Order • PDF, Octavo • View sample pages:
Octavo • “Communion Antiphons for Lent” (for SATB Choir; Cantor; Assembly)

• All are chant based.
• Can be sung with cantor or unison schola
• Ample opportunity for optional SATB

HERE YOU CAN LISTEN here to recordings of seven of the thirteen communion propers directed by Paul French. French and his singers beautifully captured the joy, movement, and energy of these chant based works.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, World Library Publications Last Updated: December 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)

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