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Views from the Choir Loft

Come to Sydney for a Retreat in Silence and Song

Veronica Brandt · December 15, 2016

Ben XVI Chapel Retreatants in the chapel at the Benedict XVI Retreat Center, Grose Wold, NSW ANUARY IS THE TIME for the Australian Sacred Music Association’s annual monastic retreat for men. The retreat lasts 5 days (4 nights) from January 2 – 6 and is held at the Benedict XVI Retreat Centre, Grose Vale.

Discover the heart of monastic life. Enter into and participate in a complete monastic Horarium and the Sung Monastic Office – the retreat is guided by the liturgy alone in an atmosphere of silence. Personal spiritual direction will be available each day. Day one will be devoted to workshops and training supplied by the Australian Sacred Music Association (ASMA). Day two the retreat begins at Matins with the Rule of St. Benedict from then being observed.

Fr Glen Tattersall is the chaplain. He is the Parish Priest of the Personal Parish of Bl. John Henry Newman, the Latin Mass community in Melbourne.

Grose Vale is in the North West fringes of Sydney in the foothills of the Blue Mountains. The Benedict XVI Retreat Centre is an amazing construction coming from the archdiocese of Sydney in Cardinal Pell’s care.

For more details download the brochure from the Australian Sacred Music website.

Also in January are two mens retreat run by the Benedictine Monks from St Joseph de Clairval Abbey in Flavigny, France. These are run at Hartzer Park in Bowral, about an hour’s drive south of Sydney.

The dates for 2017 are 16-21 January and 23-28 January.

Again the Traditional Latin Mass is offered daily, but there is less focus on the music and more on the Spiritual Exercises of St Ignatius.

Spiritual Exercises of St Ignatius of Loyola from New Ark Films on Vimeo.

These ones tend to fill up, so it’s good to get in early – their December bulletin said there were still some vacancies. They also run some short ladies’ retreats, but they book out even sooner.

The community is moving down to Tasmania. You can find more information including bank details for donations in this article from Sydney’s Catholic Weekly.

If you can’t decide between the Sacred Music retreat in Grose Vale and the Ignatian retreat in Bowral, maybe you could try both?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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