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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Come to Sydney for a Retreat in Silence and Song

Veronica Brandt · December 15, 2016

Ben XVI Chapel Retreatants in the chapel at the Benedict XVI Retreat Center, Grose Wold, NSW ANUARY IS THE TIME for the Australian Sacred Music Association’s annual monastic retreat for men. The retreat lasts 5 days (4 nights) from January 2 – 6 and is held at the Benedict XVI Retreat Centre, Grose Vale.

Discover the heart of monastic life. Enter into and participate in a complete monastic Horarium and the Sung Monastic Office – the retreat is guided by the liturgy alone in an atmosphere of silence. Personal spiritual direction will be available each day. Day one will be devoted to workshops and training supplied by the Australian Sacred Music Association (ASMA). Day two the retreat begins at Matins with the Rule of St. Benedict from then being observed.

Fr Glen Tattersall is the chaplain. He is the Parish Priest of the Personal Parish of Bl. John Henry Newman, the Latin Mass community in Melbourne.

Grose Vale is in the North West fringes of Sydney in the foothills of the Blue Mountains. The Benedict XVI Retreat Centre is an amazing construction coming from the archdiocese of Sydney in Cardinal Pell’s care.

For more details download the brochure from the Australian Sacred Music website.

Also in January are two mens retreat run by the Benedictine Monks from St Joseph de Clairval Abbey in Flavigny, France. These are run at Hartzer Park in Bowral, about an hour’s drive south of Sydney.

The dates for 2017 are 16-21 January and 23-28 January.

Again the Traditional Latin Mass is offered daily, but there is less focus on the music and more on the Spiritual Exercises of St Ignatius.

Spiritual Exercises of St Ignatius of Loyola from New Ark Films on Vimeo.

These ones tend to fill up, so it’s good to get in early – their December bulletin said there were still some vacancies. They also run some short ladies’ retreats, but they book out even sooner.

The community is moving down to Tasmania. You can find more information including bank details for donations in this article from Sydney’s Catholic Weekly.

If you can’t decide between the Sacred Music retreat in Grose Vale and the Ignatian retreat in Bowral, maybe you could try both?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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