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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 2 of the Papal Visit

Andrew Leung · September 23, 2015

Today is the second day, first full day, of Pope Francis’s apostolic visit to the country. He spent his day in Washington DC today. Here is a video of the Mid-Day Prayer with the bishops at the Cathedral of St. Matthew the Apostle.

Reception of the Holy Father: 27:00
Mid-Day Prayer: 37:15

Personally, I thought the music selection was pretty good. The music reflects noble simplicity. Even though the psalm tones weren’t Gregorian, but they are definitely worthy for the liturgy. I am also surprise by the amount of Sacred Silence they had between psalms and reading. Those moments are very peaceful and contemplative. And of course, it’s always nice to have the brass along with the organ for the Holy Father, and Tu es Petrus is the perfect and appropriate piece for papal liturgies.

On the other hand, the Mass and Canonization of Fr. Junipero Serra shows all the main problems of the Sacred Music in the country.

Reception of the Holy Father: 15:00
Canonization: 33:30
Holy Mass: 1:04:00

There are some nice pieces in this video like the glorious Christus Vincit at the beginning of the reception of the Pope, Veni Creator Spiritus at the beginning of the canonization and the Gloria at the beginning of the Mass. However, I hate to say this, most of the music at this Mass is just bad and unworthy. The music shows the main problems of American Sacred Music nowadays. Here are five points to summarize these problems:

1. The Lack of Resources for Spanish Church Music

2. Bilingual (or more languages) Masses

3. Cantors performing solos and “leading” the congregational singing

4. The Bad Taste in music and arts in general

5. Having church music that is not holy, not set apart from the secular music

The two parts that upset me the most is the second reading and the offertory. I am not upset because the lector didn’t read well. But I really don’t understand people’s mind. Why did they choose someone who has difficulties in reading to read? It is good to show our love and care to the “least of us”, meaning those who are sick and suffering. Exposing someone weakness is not how do that though. And if you pay attention to the end of the offertory, you will realize that the music actually interrupted the Mass. There might be some miscommunications, but the Pope just kept on going in the “Orate fratres“ after he washed his fingers. That is something that should not happen at a parish Mass, and definitely unacceptable at a Papal Mass! My fellow church musicians, we have a lot of work to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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