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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bigger Fish to Fry

Richard J. Clark · June 19, 2015

HE HEIGHT OF WEDDING season is upon us. Many church musicians find much to complain about with regard to weddings. These complaints range from overly demanding couples who have not been to mass in years, to fielding requests for secular music. Some of these gripes may be understandable, legitimate, and make our jobs highly stressful.

But today I propose a change of perspective and attitude. Why? Because we’ve got bigger fish to fry.

Many of us work for years to cultivate and promote professional standards. Weddings often frustrate these designs. But within these challenges also lie opportunity. And here’s the thing: the opportunity may or may not be very gratifying to the musician.

One more newsflash: It’s not our wedding. The organist does not confer the sacrament upon the couple—they do. The couple has bigger fish to fry than to make sure our exquisite taste rules their day.

HE FIRST THING TO RECOGNIZE IS THIS: a lot of music couples request, appropriate or not, has deep personal significance to them. Additionally, they have not spent years learning an instrument and studying Church documents.

However, if the piece in question is by Coldplay (a common request) we have a clear-cut problem to address. The smartest thing to do is to acknowledge that this piece may be important to them. The worst thing to do is to ridicule or dismiss their feelings about it. Now you’ve lost them and not just for now, but possibly from the Church entirely.

Respectfully acknowledge their request and you can now begin to address the musical problems of pulling it off on the pipe organ for the processional, no less the theological problem. Do it nicely. Sempre! You have perhaps only one shot at keeping an open dialogue so that they may be receptive to your alternative suggestions.

ERE’S THE BIG PICTURE AND BIGGEST OPPORTUNITY: Weddings, with all of their challenges offer an important chance to evangelize. Have they insisted upon a setting of “Wherever You Go” that is not to your liking? So what. Take the opportunity to make small talk about the text from the book of Ruth and the Song of Songs (in some cases) and the profound spiritual significance. The book of Ruth evokes great emotion. Even those who rarely go to mass appreciate knowing that you care enough about their music and their wedding.

Is a setting of Psalm 118 too cheesy? My heart bleeds for you. Talk about how this is the same responsorial used on Easter Sunday. The connection of the holiest day of the year to their wedding may plant a mustard seed in their hearts to come back to mass.

Folks, we have bigger fish to fry. Be a jerk and they definitely won’t come back. Behave as though you care (and you should) and they will remember you twenty years from now. More importantly, they will remember that those in the Church were welcoming and caring. We need that today more than ever. When they come back, they may have opportunity to hear more reverent and prayerful music. This in turn may help in ways you may never know.


SOME OTHER ADJUSTMENTS OF PERSPECTIVE:

HAVING TROUBLE GETTING THROUGH SEVEN OR EIGHT masses on a weekend and must play Canon in D for the tenth time this month? I may be quite grateful. It’s less stress for me. My fifteen–month old woke us up twice in the middle of the night. I have a lot to prepare for Sunday’s mass and the choir. It’s 83 degrees in the choir loft. I have bigger fish to fry than be personally disappointed by the choice of music.

Did I mention I have tuition to pay for my older two children? Weddings pay. I have bigger fish to fry.

How is the quality of the sacred music at mass on Sunday? Are my choirs engaged, growing, and learning? Is the congregation able to sing and pray with the music we provide on Sunday? Children, families, are touched by our work. So are young men and women who may be getting married someday. We have bigger fish to fry.

Furthermore, how is my relationship with God, my wife, my family, my boss, and my colleagues? If I’m not right with them, I’m going to have difficulty doing my job well. These are very big fish to fry.

Finally, God calls us to be fishers of women and men. That’s the most important catch of all.

Here is the best series of articles on practical advice for weddings by Andrew Motyka. It is also entertaining reading!

Here are some Free Musical Scores For Catholic Weddings.

Here’s the coolest wedding I’ve ever been a part of (aside from my own, of course…)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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