• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Permission Needed to Replace the Propers?—(2 of 7)

Veronica Brandt · February 21, 2015

WHO Unicef Infant Feeding HE CHASM between the documents of the liturgical renewal and their implementation has always been fascinating to watch, though rather saddening when viewed from the pew. There is a disconnect between the theory and the practice and this has been the case to varying degrees for a long time.

It makes sense that there may be an ideal of which we are permitted to fall short, but it is the ideal which should guide our efforts and help keep us united, working together for the common good.

So here is the quote from the General Instruction on the Roman Missal section 48:

The singing at this time is done either alternately by the choir and the people or in a similar way by the cantor and the people, or entirely by the people, or by the choir alone. In the dioceses of the United States of America there are four options for the Entrance Chant: (1) the antiphon from The Roman Missal or the Psalm from the Roman Gradual as set to music there or in another musical setting; (2) the seasonal antiphon and Psalm of the Simple Gradual; (3) a song from another collection of psalms and antiphons, approved by the Conference of Bishops or the diocesan Bishop, including psalms arranged in responsorial or metrical forms; (4) a suitable liturgical song similarly approved by the Conference of Bishops or the diocesan Bishop

Which clearly gives four options:

• The antiphon from the Roman Missal or the Psalm from the Roman Gradual;|
• The seasonal antiphon and Psalm of the Simple Gradual;|
• A song from another collection of psalms and antiphons approved the the Conference of Bishops;|
• A suitable liturgical song similarly approved by the Conference of Bishops

And it is this last dot point which has become the default. Except now we find that the approval has been assumed rather than specifically given. So instead of reaching the ideal at the top of the list, we’re not even hitting the point at the bottom of the list.

This reminds me of a similar situation in the world of breastfeeding advocacy. The World Health Organisation and UNICEF have provided a document with clear guidelines for addressing the chief sources of malnutrition and infant mortality. This is a global recommendation—all countries want healthy children—but the most crying need is seen in the developing world.

The Global Strategy for Infant and Young Child Feeding, point 18 states:

The vast majority of mothers can and should breastfeed, just as the vast majority of infants can and should be breastfed. Only under exceptional circumstances can a mother’s milk be considered unsuitable for her infant. For those few health situations where infants cannot, or should not, be breastfed, the choice of the best alternative—expressed breast milk from an infant’s own mother, breast milk from a healthy wet-nurse or a human-milk bank, or a breast-milk substitute fed with a cup, which is a safer method than a feeding bottle and teat—depends on individual circumstances.

So that boils down to five options:

• Milk from own mother by breastfeeding;|
• Milk from own mother, expressed;|
• Milk from a wet-nurse; or|
• Milk from a milk bank; or|
• Breastmilk substitute fed by cup.

But the default has widely become a breastmilk substitute (aka infant formula) fed by bottle. So again, we’re failing the ideal and not even hitting the bottom bullet point.

There are similarities in the path to this situation too. In both cases there was a assumed air of superiority of the “new way” of doing things. The old way was considered irrelevant to the modern generation.

In both cases a whole culture was lost. Both require ongoing research and education to recover the skills needed to aim for the ideal. We are so far gone that just telling people what they should be doing is inadequate. They lack the skills to reach the ideal or even understand what is required to attain those skills.

In both cases there are economic interests hampering the attainment of the ideal.

In both cases we risk alienating the very people we are trying to help by insisting on the ideal without giving the groundwork necessary for grasping the situation.

Folk Hymns for the Now Generation WE HAVE A LONG ROAD AHEAD. We can dream about those in authority suddenly exercising government and setting the institutions on the right track. We hear about isolated cases of this going into practice to good effect. But for the majority of people on the ground, the first step is to educate ourselves, our families and the circles we do have influence with.

If people can experience the beauty of the Mass celebrated with the full complement of texts, then the extra hymns will recede into the background. The congregation can still enjoy a rousing recessional hymn. There may be time for a Eucharistic hymn after the Communion antiphon and psalm.

Maybe the “Folk Hymns of the Now Generation” can become the new form of the old “sing-a-long around the piano” – a nostalgia trip enjoyed in the home or parish hall.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers Last Updated: October 15, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up