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Views from the Choir Loft

Richard Terry’s Hymnal in PDF and paperback

Veronica Brandt · September 6, 2014

Old Westminster Hymnal HE OLD WESTMINSTER HYMNAL was the only collection of hymns authorized by the hierarchy of England and Wales back in 1912. Coming out of years of suppression the Catholic Church in England was still finding her feet.

Persecution can make saints, but can also foster a ghetto mentality where intellectual virtues are disparaged. After surviving on cut down devotions, the prospect of full, sacred liturgical worship may have appeared too strong or foreign.

R. R. Terry burst onto the scene with the drive to revive Gregorian chant and polyphony. Then, as now, hymns were more popular – as R R Terry writes:

“Of all forms of Church music, the one which seems to have wielded an influence out of all proportion to its intrinsic worth is the vernacular hymn.” – On music’s borders by R R Terry (Unwin 1927)

His Westminster Hymnal marked a more scholarly approach to hymnody. The compiler searched out the authentic tunes for each piece, sometimes giving a range of tunes to choose from. The Musical Editor’s Preface goes through a few of the more glaring examples of the decay of hymn tunes. It is well worth reading even just as a snapshot of music in England at the time.

Maybe the last word can go to the Right Reverend Bishop of Newport who wrote the main preface. After noting the number of hymns included is 250, he continues:

The tunes have been in part selected and in part composed by Mr R R Terry, Mus.D., Organist and Choirmaster of Westminster Cathedral, who has also written and edited the harmonies. This eminent musician has here presented the public with a work of great originality and distinction, for which he is entitled to the thanks of the Catholic Church in English-speaking countries. The Hymns are what we have been accustomed to, but the musical setting is, on the whole, far more scientific and satisfying than anything that has hitherto appeared. There can be no doubt that it will conduce very much to the devotion and decorum of extra-liturgical worship and popular services to have one common manual of Hymns, which at once offers a suitable variety and prevents the undesirable introduction of amateur efforts and unedifying novelties.

      * *  PDF: Old Westminster Hymnal (mostly 1912)

      * *  Old Westminster Hymnal in paperback (crown quarto, 432 pages)

      * *  Spiral bound (letter, 432 pages)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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