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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does a Liberal Arts Education Have Any Value?

Fr. David Friel · May 11, 2014

O MANY VOICES in the world today would have us believe that the goal of life is to receive specialized training, find a job that pays well, live comfortably, and enjoy retirement. There are many issues with that approach, but let’s just start with the first. When did the Western obsession with specialization take control?

In America, much of higher education has been reduced to mere career training. Students enroll in programs that have an absurdly narrow focus, and they are required less and less to broaden their studies. This is a far cry from the ideal of true “education,” which involves the process of being drawn out of oneself to wrestle with ideas and confront challenges.

The only fields of study that hold merit, we are increasingly being told, are those in applied sciences, particularly STEM-related studies. Studying anything that won’t directly translate to employment is seen as futile, purposeless, or even poor judgment. What about languages? What about music? What about philosophy & theology? What ever happened to the value of a liberal arts education?

I recently read a thoughtful article about liberal arts education in a newspaper opinion piece. The author (Leslie Anne Miller, a trustee of the Philadelphia Museum of Art) writes this:

It is time to recognize the importance of a well-rounded education and not lose sight of our rich cultural heritage, which has added such a critical dimension to life in this country. Without the visual arts, music, theater, architecture, and the like, future generations will have no sense of culture. Liberal arts degrees teach students how to communicate, think, solve problems, and be team players. Understanding the “why” is imperative; we know the “how” and “what.”

Had I not entered the seminary after high school, I likely would have gone to college to study journalism, literature, or something similar. My course of studies would have been fairly narrow and very much directed to helping me succeed in a particular professional field. One of my life’s blessings for which I am most grateful, though, is that I entered the college seminary and received a first-rate liberal arts education. That was not something I ever would have chosen on my own, but it opened my mind and heart in many unexpected and thrilling ways.

There is a place for vocational training, to be sure. But, is there not also a place for the liberal arts? We who are interested in the arts & culture & liturgy ought to encourage young people to take up the liberal arts. Life, after all, is about more than technical training and entry-level salaries.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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