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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Authentic Role of the Laity

Fr. David Friel · January 19, 2014

HIS PAST OCTOBER marked 50 years since the opening of the Second Vatican Council. Since that time, lay people have become involved in many facets of the life of the Church. They work as sacristans & decorators, they sit on pastoral councils & finance councils, they serve as lectors & cantors & extraordinary ministers of Holy Communion. But if we look at those things as though they were the authentic role of the laity, we are very mistaken.

It’s not that all those developments are bad things—although some of them are questionable—but a collective look at them can easily lead to a misunderstanding of what the Council taught about the role of the laity. Just by looking at those things, it might appear that the Council called for a “clericalization” of the laity—turning lay men and women into mini bishops, priests, or deacons. But that would be entirely missing the point. (All this relates to another recent post, in which I consider the authentic notion of ministry.)

The first time I actually read the documents of Vatican II was when I was in the seminary. I discovered that what the Council actually said is rather different from what I had often been told growing up. What the Council actually envisioned is often rather different from what was implemented.

So what is the authentic role of the laity? Let’s let the Council speak for itself:

The laity “exercise the apostolate . . . by their activity directed to the evangelization and sanctification of men and to the penetrating and perfecting of the temporal order through the spirit of the Gospel. . . . They are called by God to exercise their apostolate in the world like leaven, with the ardor of the spirit of Christ” (Apostolicam Actuositatem, 2).

What the Church expects of the laity is significant, not something shallow. There is no mention in Apostolicam Actuositatem of running bake sales or pulling bingo numbers.

Too often, perhaps, we have thought of the layperson in terms of what he or she is not. The laity, for example, are not bishops or priests or deacons or ministers. But the focus of this decree from Vatican II is on who the layperson really is. The layman, as a baptized person, is expected to evangelize & sanctify the world; he is expected to penetrate & perfect the temporal order with the Gospel message. That is the role of the laity.

OWHERE DO WE SEE a finer example of this put into practice than in the example of St. John the Baptist, one of the greatest laymen who ever lived. What did he do? He went out in the streets and proclaimed, “Behold, the Lamb of God!” He gathered people together and pointed out Christ to them. Notice that he didn’t wait to be prompted by a priest or bishop. Nor did he clericalize himself, pretending to be a priest or bishop. This is especially clear from the fact that he used a “baptism of repentance” that was a precursor to the sacramental Baptism of Jesus. John was not a minister at all, but he didn’t see that as some sort of limitation on his power to spread the Gospel. He was a committed layman who simply went about evangelizing and drawing people towards the Lord.

John the Baptist should be the patron saint of the laity. He knew who he was, and he knew who he was not. He did his job, and he did it with great love. Through his life and work, he brought many followers to Christ. Why did he do it? The Baptizer explains for himself: “The reason why I came baptizing with water was that He might be made known to Israel” (John 1:31). This is our task, too: that Jesus “might be made known” to all the world.

Those involved in the work of sacred music have a special avenue for making the Lord known. Liturgical musicians, though, should realize that they are not exempt from the layman’s vocation in the rest of their lives. In every age, the Church needs lay people—not lay people pretending to be priests, but lay people living out their own unique vocation to evangelize & sanctify the world in & through their daily affairs.

My role as a priest does not make me any more of an evangelizer than a layperson. What is different about my role as a priest is that, in addition to evangelizing & sanctifying the world, I am also charged with nourishing & supporting the laity as they go about the same work, the same apostolate.

Fifty years after the Second Vatican Council, how are we doing? Have we really understood and put into practice the specific vocation of the laity? In many places, it seems like the lofty vocation envisioned by the Fathers of the Council has been watered down to encouraging folks to participate in this or that parish committee.

What the Church expects is so much more beautiful! Catholics in commerce & industry should be leading the way in establishing fair business practices. Catholic leaders in government & in the courts & in the military should be leading us closer to a just and lasting peace. Catholic students should be learning their faith and telling their friends about the joy of following God’s will. Ordinary lay people should be speaking freely about their faith and encouraging their families and neighbors to return to the Church.

None of that is just your priest’s job or your bishop’s job or the pope’s job. That is all the awesome work entrusted to every baptized person.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The current Ordo Missae, which has grown up in the course of the centuries, certainly is to be retained.” (Hodiernus Ordo Missæ, qui decursu saeculorum succrevit, certe retinendus est.)

— Clarification from a bishop on the Council’s Liturgical Commission (11-5-1962)

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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