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Views from the Choir Loft

Comedian Jimmy Fallon Wanted To Be A Priest

Jeff Ostrowski · February 19, 2014

780 Jimmy Fallon Priest HE FOLLOWING comes to us by way of the Musica Sacra Forum. Late-night comedy was a big deal when I was in 4th grade, but my parents didn’t allow us to watch it. To this day, I’ve never watched late-night comedy. (I’m told very few people do these days.) However, I’ve seen YouTube excerpts on occasion. I think Jimmy Fallon has a very nice smile — deep down, he seems to have a good heart. Granted, I have no factual basis for saying this, but when I saw him smile, that was my impression — take it or leave it!

How ironic, and how telling, that even a comedian realizes there ought to be reverence at Mass!


INTERVIEWER: So you went to Catholic school when you were young.

MR. FALLON: Oh yeah.

INTERVIEWER: Did you have…

MR. FALLON: I wanted to be a priest.

INTERVIEWER: Did you really?

MR. FALLON: Yeah. I loved it.

INTERVIEWER: Why?

MR. FALLON: I just, I loved the church. I loved the idea of it. I loved the smell of the incense. I loved the feeling you get when you left church. I loved like how this priest can make people feel this good. I just thought it was, I loved the whole idea of it. My grandfather was very religious, so I used to go to Mass with him at like 6:45 in the morning serve Mass and then you made money too if you did weddings and funerals. They’d give you, you’d get like five bucks. And so I go okay, I can make money too. I go this could be a good deal for me. I thought I had the calling.

[ … ]

INTERVIEWER: Do you still go to church?

MR. FALLON: I don’t go to – I tried to go back. When I was out in L.A. and I was like kind of struggling for a bit I went to church for a while, but it’s kind of, it’s gotten gigantic now for me. It’s like too … there’s a band. There’s a band there now and you got to … you have to hold hands with people through the whole Mass now, and I don’t like doing that. You know, I mean it used to be the shaking hands Peace was the only time you touched each other.

INTERVIEWER: Mm-hmm.

MR. FALLON: Now I’m holding now I’m lifting people. Like Simba.

(Soundbite of laughter)

MR. FALLON: I’m holding them (Singing) ha nah hey nah ho.

(Speaking) I’m … I’m doing too much. I don’t want — there’s Frisbees being thrown, there’s beach balls going around, people waving lighters, and I go this is too much for me. I want the old way. I want to hang out with the, you know, with the nuns, you know, that was my favorite type of Mass … and the Grotto and just like straight up, just Mass-Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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