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Views from the Choir Loft

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

Richard J. Clark · December 12, 2014

HE SAINT PAUL’S CHOIR SCHOOL, Harvard Square, founded in 1963 by the legendary Theodore Marier, has recently enjoyed a flurry of national publicity surrounding their new CD “Christmas in Harvard Square” on Decca/AimHigher Recordings/UMC. Under the direction of John Robinson and accompanied by organist Dr. Jonathan Wessler, the CD was produced by Grammy Award winner Blanton Alspaugh.

Released in October of this year, it opened on the No. 2 spot on Billboard Magazine’s overall Classical Traditional Chart. During the nine weeks since its release, it has remained in the top 5 on the Classical Traditional Chart. Additionally, it listed last week at No. 4 on the Holiday Albums Chart and No. 10 on the Classical Albums Chart.

* *  Order the CD here: Christmas in Harvard Square • Saint Paul’s Choir School | Harvard Square You can also view the track list and listen to samples. It is also available on iTunes and Amazon.

ECENT NATIONAL TELEVISED APPEARANCES include a Christmas Special on PBS as well as a segment on “Fox and Friends.” During this segment, Music Director John Robinson was asked about the boys’ typical day and rehearsal time. While discussing their extensive rehearsal in addition to demanding academics, Robinson quite notably points out that “…the highlight of our day is always singing the mass that happens at 12:10 in the beautiful acoustics of St. Paul’s Church.” To watch the entire segment click here:

Watch the latest video at video.foxnews.com      * *  Here is a detailed review of “Christmas in Harvard Square” by Michael Olbash on One Peter Five. Of the many details Mr. Olbash discusses, one comment stands out as it reflects this music the context of faith:

Many choral ensembles include Gregorian chant in concert programs and recording projects as novelty items which tend to sound like precious, fragile museum pieces. In contrast, the two Gregorian introits on this recording — Dominus Dixit and Puer Natus Est — were lively and expressive, the kind of chant singing which can only be achieved when the Gregorian plainsong is part of the living, daily prayer life of a choral ensemble. (emphasis added)

F YOU ARE IN THE BOSTON AREA you can view their concert series and buy tickets online here. Their last concert was sold out, so buy tickets now!

Finally, if you know a talented third or fourth grade boy, you can learn more about “How to Become a Choirboy.” This provides information about admissions, tuition, and opportunities at the Saint Paul’s Choir School. This is an extraordinarily unique Catholic education that may open many unexpected doors. The passion and discipline of music in the context of a faith-filled Catholic education lead to success not only in higher education, but potentially in all matters of life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 27, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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