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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How To Debunk Four Common Liturgical Myths

Jeff Ostrowski · August 21, 2014

The following myths have lived long & healthy lives.  Today, they die.


1.) Our Mass texts are copyrighted to preserve their integrity.

This statement is false, but many good people accept it.

First of all, let’s be clear about the Mass texts. They’re owned by various parties: even some non-Catholic corporations!

What’s doubly confusing is that different parts — Readings, Responsorial Psalms, Resp. Psalm REFRAINS, Collects, and so on — are owned by different corporations. The sale of these texts has become a huge source of money for the owners, but it’s done in violation of Canon law (which stipulates that indulgenced prayer texts cannot be sold for profit).

Rather than “preserving the integrity” of the official texts, this situation has led composers to alter them (so they can copyright their versions and collect royalties). This deplorable situation must stop. It’s been fifty years since Vatican II, and the Catholic Church has a billion members. Without question, the necessary funding could be obtained to produce translations using the Creative Commons Copyright. That way, they could be shared & prayed freely. When it comes to Church approval, this should be granted only to publishers faithfully reproducing the official texts.

Copyrighting liturgical texts to preserve their integrity makes about as much sense as supporting abortion, yet opposing capital punishment on moral grounds.


2.) The hymns chosen at Mass should correspond to the Readings.

This one sounds so good … but it’s false.

As explained in this true-but-boring article, the system adopted after the Second Vatican Council guarantees that the readings will seldom correspond to the feast, except for major ones like Easter, Pentecost, and Christmas. Some might immediately say, “Wow, that’s not in accordance with tradition.” However, before you say that, read these astounding Fortescue excerpts:

      * *  PDF Download: Fr. Fortescue Discusses Liturgical Readings

Now that you’ve read those excerpts, you won’t panic when I say that the Propers are usually a better way to “choose the hymns” — but what’s even better is to sing the actual Mass propers in English or Latin.


3.) Bugnini altered the traditional Propers in the 1970 Missal.

This statement is inaccurate, in spite of what many respected scholars believe. For example, a very competent liturgist, Joseph Shaw, recently wrote the following:

“The Graduale Romanum has for centuries been the Church’s book of liturgical music. […] When the Novus Ordo came out, a vast number of these texts had been changed. Bugnini had gone through with his trusty blue pencil and re-written some, deleted others, composed still more afresh.”

In reality, what happened was more complex. Bugnini’s Consilium added some Entrance & Communion antiphons, which don’t always match the Graduale, for use in Masses without music. Those antiphons are commonly referred to as “Spoken Propers” to differentiate them from the full set of “Sung Propers” found in the Roman Gradual.

You can read a series of important articles on this very topic by clicking here (scroll down to the “Essay” section). Without repeating what was already said there, I would merely point out that the Novus Ordo does not have a Missal strictly speaking: it has a Sacramentary. If we understand why the Novus Ordo does not have a “Missal,” confusion about Spoken/Sung Propers disappears.


4.) Priests before Vatican II couldn’t speak Latin.

This statement is quite common, but false.

Before the Council, seminary courses were taught in Latin. I’d read statements to this effect from priests but still couldn’t believe it. So, I approached elderly priests, asking, “Were your seminary courses really taught in Latin?” The answer was still “YES“ — although, a few admitted their courses were actually taught in English, but their textbooks were in Latin.

As strange as it may sound, the Epistle/Gospel were often read in the vernacular at the beginning of the homily (even before Vatican II). 1 One time, our elderly priest began his homily, but the particular feast was missing from his book of English translations. 2 The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English. Oops: I guess he must have learned Latin in the seminary, huh?

In the 1960s, it became popular for priests to pretend they couldn’t understand Latin. Cardinal Cushing made such a claim 3 but there’s one problem: he graduated from high school in 1913, receiving honors for Latin and Greek.




NOTES FROM THIS ARTICLE:

1   Until the 1950s, the Gospel was often proclaimed three times: (1) by the priest quietly; (2) by the deacon singing; and (3) at the beginning of the homily, before the sermon.

2   Perhaps it was a newer feast such as «Christ the King» (created in 1925).

3   A thorough treatment of his lie can be found here. That article includes a video of Cardinal Cushing reciting Latin at the funeral of John F. Kennedy which is not to be missed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

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“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

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