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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weddings: Some Practical Advice – Introduction

Andrew R. Motyka · August 20, 2014

HATE WEDDINGS. There. I said it. It’s not that I’m an unromantic grouch who hates love and happiness and puppies. It’s that I look at most wedding liturgies and think about how much better they could be, how much symbolism is already packed into the Nuptial Mass and completely missed because of silly accretions and omissions.

Yes, I know. Ranting doesn’t serve anyone, and it does nothing to fix the problem. Before I dive headfirst into a series of wedding advice for both musicians and married-couples-to-be alike, though, it would be helpful if we could identify what the problem is with most Catholic weddings. It goes beyond simple ignoring of the rubrics or bad choices of music. I can get both of those things at a normal Sunday Mass without having to buy a gift. The primary obstacle to good worship at most Catholic wedding Masses is the American wedding industry.

Is there a “wedding industry?” Only if you consider a business that racks up $40 billion a year an industry. Just think of your “average” wedding. It costs over $28 thousand. That’s more than a new car and a down payment on a small house for mostly frivolous things that won’t last longer than the day. We have made a huge business out of spending money for useless additions to weddings and pushed aside any preparation for actual marriage.

The over-planned, over-spent wedding contributes to many of the oddities and distractions that inhabit the usual bad wedding. You spent several thousand dollars on dresses and suits, so you had better have the equivalent of a fashion show runway as your procession. You opened one of your six different wedding planning books and saw a list of music in there that you listened to on YouTube, and I just love Canon in D so much. You just can’t choose between your multitude of friends, you popular person you, and now you have nine bridesmaids (and groomsmen) in the sanctuary with you.

None of these things is truly bad, per se (except Canon in D. Screw that piece), but the emphasis on all of these absolutely insignificant details (that all cost lots and lots of money) draw the focus of both the couple and the congregation away from what really matters. Do you need a test to see if you’re ready for your big wedding day? Answer one question. It’s not “What color are the bridesmaids wearing?” It’s not “How long is this ceremony so we can get to the reception?” It’s not “Where is the photographer, videographer, and the other photographer allowed to stand?”

The Are you ready? question is:

Can you recite your wedding vow right now? It’s three sentences; it’s not long or hard. This is a commitment you are about to make, a bond for the rest of your life. You should know what you are promising. If you can’t remember that, you are not ready, no matter how awesome the bagpiper that’s going to play the recessional is.

You don’t need anything else. Heck, did you know that you don’t even need to have a special Mass, that you could get married at your parish on a Sunday (if your pastor allowed it, and he should)? You don’t need to spend thousands on costumes and whatnot. This is a sacrament, a celebration of the Universal Church. It is not Your Big Day. The Mass is most certainly not Your Celebration any more than it is mine, except in a corporate sense.

What ends up happening is that because the culture, television, and the wedding industry have convinced us that “this is what you need for a wedding,” and we have bought it, it alienates people who don’t want or can’t afford all that. The Catholic marrying a Protestant who is already a little shaky on their faith might just throw his hands up and get married down at the JP. The poor couple who can’t afford even a fraction of the (let’s not forget) $28 thousand wedding might just choose not to get married at all. That is what happens when you make image more important than content.

There’s hope, however. It is possible to have a Catholic wedding Mass that actually looks like a Mass and might even contain a reference or two to God along the way. It is possible to have a beautiful, edifying liturgy that is truly reflective of God’s plan for marriage and gives a good starting point for what is truly only the beginning of a vocational sacrament. I hope I can offer some helpful advice in the coming weeks, giving some tidbits of what the liturgy actually calls for and what, in my experience, works best in these cases.

So here it is. Now that I’ve settled the problem of The Wedding Industry and everyone agrees with me about what is good and what is not about weddings, we can move on to details of making the wedding liturgy better. For these and more delusions, tune in next week!


Series by Andrew R. Motyka:   “Weddings: Some Practical Advice”

FIRST PART • Introduction

SECOND PART • The Very Beginning, Part 1

THIRD PART • The End Of The Beginning, Part 2

FOURTH PART • Word and Vows

Stay tuned for more additions!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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  • “Reminder” — Month of October (2025)

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