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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1937 Organ Accompaniments for the Kyriale (Bragers)

Corpus Christi Watershed · March 19, 2013

km0_1937_Bragers_Organ_Accompaniment_Vatican_Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

Here’s a PDF download — Organ Accompaniments for the Ordinarium Missæ:

      * *  1937 Organ Accompaniments for the Kyriale (Achille P. Bragers) — High Key

Click here to purchase this book for just $17.00 • Spiral-bound, 163 pages long • View index.

This same book is being sold by others for $38.00!



If you need the “Low Key,” click here and order Volume 1.

ORGAN ACCOMPANIMENTS • ORDINARY OF THE MASS (Ordinarium Missae) • COMPLETE GREGORIAN CHANT MASSES • First published in 1937, this organ accompaniment has in modern notation all of the standard Kyriale Ordinaries (I – XVIII), the Credo versions I-VI, and the Asperges (including one ad libitum) and Vidi aquam chant. And for choirs that are not proficient enough yet to sing the propers of the Requiem Masses a cappalla, Bragers generously provided the accompaniments for their propers and Kyriale and the other funeral functions; i.e.: the entrance of the casket into the church (Subvenite), the in Exsequiis (Miserere) absolution ceremony (Libera me, responses and Benedictus), and the concluding antiphon, In Paradisum. Of course what Gregorian Chant organ accompaniment manual is complete without supplying some of the ad libitum modes for the Kyriale? Bragers succeeds here too admirably with cantus ad libitum chants for I – XI of the Kyrie, I – III and more ambrosiano of the Gloria, I – III of the Sanctus and I & II of the Agnus Dei. Throughout the entire book, the organ notation is underscored by the Latin words, hyphenated under each appropriate note (which assists with proper pronunciation of liturgical Latin, too). Fully indexed, all notations and text are in printed in black ink on medium stock paper to ensure durability, while the spacious comb-binding gives the organist easy and quick access. Kyrie, Gloria, Credo, Sanctus, Agnus Dei, Ite missa est). This is a must-have for organists who play for the Tridentine Latin Mass!

Bragers’ Kyriale contains organ accompaniments according to the Solesmes rhythmic markings.

courtesy of a generous person (A.C.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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