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Views from the Choir Loft

1937 Organ Accompaniments for the Kyriale (Bragers)

Corpus Christi Watershed · March 19, 2013

km0_1937_Bragers_Organ_Accompaniment_Vatican_Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

Here’s a PDF download — Organ Accompaniments for the Ordinarium Missæ:

      * *  1937 Organ Accompaniments for the Kyriale (Achille P. Bragers) — High Key

Click here to purchase this book for just $17.00 • Spiral-bound, 163 pages long • View index.

This same book is being sold by others for $38.00!



If you need the “Low Key,” click here and order Volume 1.

ORGAN ACCOMPANIMENTS • ORDINARY OF THE MASS (Ordinarium Missae) • COMPLETE GREGORIAN CHANT MASSES • First published in 1937, this organ accompaniment has in modern notation all of the standard Kyriale Ordinaries (I – XVIII), the Credo versions I-VI, and the Asperges (including one ad libitum) and Vidi aquam chant. And for choirs that are not proficient enough yet to sing the propers of the Requiem Masses a cappalla, Bragers generously provided the accompaniments for their propers and Kyriale and the other funeral functions; i.e.: the entrance of the casket into the church (Subvenite), the in Exsequiis (Miserere) absolution ceremony (Libera me, responses and Benedictus), and the concluding antiphon, In Paradisum. Of course what Gregorian Chant organ accompaniment manual is complete without supplying some of the ad libitum modes for the Kyriale? Bragers succeeds here too admirably with cantus ad libitum chants for I – XI of the Kyrie, I – III and more ambrosiano of the Gloria, I – III of the Sanctus and I & II of the Agnus Dei. Throughout the entire book, the organ notation is underscored by the Latin words, hyphenated under each appropriate note (which assists with proper pronunciation of liturgical Latin, too). Fully indexed, all notations and text are in printed in black ink on medium stock paper to ensure durability, while the spacious comb-binding gives the organist easy and quick access. Kyrie, Gloria, Credo, Sanctus, Agnus Dei, Ite missa est). This is a must-have for organists who play for the Tridentine Latin Mass!

Bragers’ Kyriale contains organ accompaniments according to the Solesmes rhythmic markings.

courtesy of a generous person (A.C.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
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