Views from the Choir Loft

1883 Commune Sanctorum (2 of 3) — F.X. Haberl

Corpus Christi Watershed · March 19, 2013

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* * 1883 Commune Sanctorum (2 of 3) — F.X. Haberl & Jos. Hanisch

• Organum comitans ad Graduale romanum quod curavit Sacrorum rituum congregatio. • Fr X. Haberl; Joseph Hanisch • 1883 Editio Secunda • Ratisbonæ, Neo Eboraci [New York] & Cinncinnatii. Sumtibus, chartis et typis Friderici Pustet. S. Sedis Apostolicae Typographi. • Evidently (by the Prefaces) the first edition was in 1874, and this 1883 editions includes:

     (1) PROPRIUM MISSARUM de SANCTIS : : (pages 1-132) starting in November and ending in November.

     (2) COMMUNE SANCTORUM : : (pages [1] to [140]) and at the end of those two, there is an index to both. This is also the end of the FAT notes.

     (3) PROPRIUM MISSARUM de TEMPORE : : starts with the first Sunday of Advent and goes through 220+ pages, including various “extras” like Hymns and Gloria Patri tones, and several ad libitum Votive Masses. •

This whole book only includes INTROITS, OFFERTORIES, and COMMUNIONS. • At the end of this was included the below 1881 KYRIALE of Witt (“editio tertia”), with his 1880 Preface (no. 3). •

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker