• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Temporal Parochialism

Fr. David Friel · July 28, 2013

FTEN ENOUGH, I come across notable books & authors, compositions & composers, paintings & artists that have somehow eluded me heretofore. This recently transpired as I was introduced to a title by Dietrich von Hildebrand that I had never encountered: Trojan Horse in the City of God. The contents of this book are fascinating, and I was surprised to find that it was published in December 1967. So I have no excuse for not finding it sooner.

Von Hildebrand covers many topics, but there are a few overarching themes. Among them are these:

1. Tradition is good.

2. The idea that “progressivism” brings about progress must be challenged.

3. Catholic art & architecture are handmaids, not enemies, of faith.

4. Relativism is a serious danger to faith.

Even so soon after the close of the Second Vatican Council, the author already makes note of discrepancies between what the Council said and how it has been interpreted.

What he says concerning tradition strikes me most. He identifies a tendency toward “temporal parochialism,” which is a habit of heart and mind we can all likely recognize at work around us. This tendency the author defines as “a special kind of pride in the idolatry of one’s own epoch. It produces a spirit of irreverence toward all tradition.” This is so evident in contemporary history textbook. Have you seen the disparaging way in which medieval culture is treated in these textbooks? Von Hildebrand continues: “It is a characteristic symptom of immaturity to feel oneself more mature and independent than men of previous times, to forget what one owes the past, and, in a kind of adolescent self-assertion, to refuse any assistance.”

s easy as it is to recognize this form of pride around us, let’s not fail to see where we, ourselves, are guilty of it. Do we perceive those committed to the “reform of the reform” to be superior beings to those who long for a revival of the “spirit” of Vatican II? In your passion for Neo-Thomism, do you forget that movement’s dependence on St. Thomas, himself, as well as the Enlightenment thinkers? It can work the other way, too. Am I dogmatic that Bach is the greatest organist of all time and that no one can ever possibly approach his stature again? Do I idolize the Church of the 1930’s and 1940’s as the Golden Age of Catholicism in America? Certain ideas, of course, may actually be superior to other ideas, but persons are never better or more valuable than others.

What this book has to say is important for our times. The recovery of our Tradition—not mustiness or trappings or archaisms, but real Tradition—is essential for true progress. In moving forward, let’s not forget what we owe the past. What do we owe? Study, appreciation, gratitude, development, and continuity.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

Recent Posts

  • The Lerner philosophy of parish music: practical solutions to impractical problems
  • Gregorian Chant Academy Free Workshop
  • Cardinal Heenan Speaks About Monsignor Knox
  • An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)
  • Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.