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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The New Translation of the Roman Missal

Jeff Ostrowski · February 23, 2013

ORE THAN a billion people currently belong to the Catholic Church. A considerable number of those people speak (or read) English. When the new English translation was introduced, I had expected a tremendous outcry. Why? Because translations, by their very nature, are usually something about which nobody is happy. There’s an old expression: The translator is a traitor.

However, the new translation of the Roman Missal has been around for more than a year, and I have yet to read a single serious article or paper calling for a return to the old translation. I have yet to encounter a single serious Catholic priest or bishop who does not admit that the Roman Missal, Third Edition is a vast improvement. Nor have I seen any serious article making the case that the old translation was more accurate than the current one.

Before going further, let us remind ourselves what the “old ICEL” translation was like. One good way to do this would be to read the following 1990 article by Msgr. Schuler:

          *  Article by Msgr. Richard J. Schuler about the “old” ICEL translation [pdf].

As alluded to above, translations are similar to hymns: everybody always has something to say about them. Everyone always has an opinion. Everybody always wants to toss in his “two cents.” The fact that not one serious person has, for instance, drawn up a chart attempting to show that the old ICEL translation was more accurate than the new astounds me.

What do I, personally, think of the new translation? I think it is a vast improvement and makes a tremendous difference because it is so much more accurate than the previous ICEL translation. For instance, look at the old ICEL version of the “Exsultet” and compare it to the original Latin. It was a travesty and an embarrassment.

I do feel that the new translation is not as beautiful as it might have been. For instance, it pales in comparison to many of the translations used before the Council. ICEL would have been able to produce a much more beautiful translation if they had taken the time to carefully consult the old daily missals (“hand missals”) like the St. Joseph Daily Missal, Fr. Lasance’s Missal, and so forth. Furthermore, some of the “politically correct” phrases sound like nails scratching on a chalk board to my ears. “And peace on earth to people of good will” comes to mind.

Having read numerous articles like the one written by Msgr. Schuler, I can only guess that the almost total lack of serious criticism of the new translation can only be attributed to the unbelievable depravity of the previous ICEL translation (created, I believe, around 1969). As many people have commented over the years, the previous translation (in many instances) was unworthy of any self-respecting first year Latin student. I should add: one of the reasons that the new translation was so much more accurate is that, a few years ago, the Holy Father completely reformed ICEL.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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