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Views from the Choir Loft

Are You a Servant Leader?

Richard J. Clark · December 13, 2013

URING THIS BUSY LITURGICAL SEASON, when music directors are often overwhelmed, there is little time to think, no less listen to others. However, it still might make sense to take stock of what kind of leaders we are. It is not enough to just be a good musician. We must be smart about our leadership.

A colleague recently sent me this article: How to Become a Servant Leader, by Emma Johnson. Although written for those in the business world, the wisdom here fits beautifully in the world of sacred music. Putting moral, ethical or even altruistic reasons aside, there is a simple pragmatism here of getting the very most productivity out of not only employees but also volunteers, especially if one is a director.

The opening line alone is intriguing: “Bossing around employees is so passé.” The very essence of what a conductor must do is tell people what to do. This doesn’t change, but giving people the tools and emotional environment to accomplish what a director asks is key.

Emma Johnson writes:

“Bossing around employees is so passé. Developing people, treating them with respect, encouraging their talents and input—these are trends that research has proven build strong companies and give them the competitive edge. Servant leadership—the philosophy of focusing first on the needs of employees and customers—has gained popularity in recent years, with numerous Fortune 500 firms like TDIndustries, Aflac and Synovus subscribing to its principles.

“If you really listen to your colleagues and figure out how to get them what they need, they will perform at a higher level, which improves the customer experience, which affects business results,” says Kent Keith, CEO of Greenleaf Center for Servant Leadership…The essence of servant leadership—serve the employees first, and success with clients will follow—might appear to be the antithesis of modern business.”

She breaks down the basic areas of “Servant Leadership” into five areas:
• Listen
• Appreciate
• Respect
• Develop
• Unleash (Let the gifts of your musicians shine!)

This model is perfectly applicable to music ministry. Furthermore, leadership and authority are two very different things. Some with authority do not command respect. Many without authority have more influence than those in charge. Servant leadership in no way compromises authority or clarity of direction. It does not necessarily mean making everyone happy. In fact, a Servant Leader will usually earn the respect and trust of others. Do so, and you can change the world.

Finally, I offer a FREE DOWNLOAD (PDF) of a setting of Psalm 96 for the Christmas Mass at Midnight based on chant Puer natus for SATB, Schola, Organ, and 2 Trumpets. Were I a better servant leader, I would have made this tool available sooner! (One may discern much from negative example.)

The multipage PDF includes:
• Full score
• Trumpet parts
• Choir/Cantor part
• Congregation insert.

To find Responsorial Psalms for the entire liturgical year by several extraordinary composers, look to the Chabanel Responsorial Psalms. These are made available for FREE by a true servant leader, Jeff Ostrowski.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

Recent Posts

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