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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Returning from Rio

Fr. David Friel · August 4, 2013

EVER IN MY LIFE did I expect to go to Rio. This time last week, however, I was standing on Copacabana Beach in Rio de Janeiro, preparing to concelebrate the closing Mass of World Youth Day with our Holy Father, Pope Francis. Rather than add to the blog-o-squabble concerning the music, let me instead say a word about the silence.

At several points throughout World Youth Day, we were gathered on Copacabana Beach. We were surrounded by many noises—talking, traffic, the roar of the sea, etc. Against what one might have expected, though, the crowd actually became utterly silent at a few different moments.

The first such moment came when Pope Francis asked for a moment of silence to pray for a pilgrim who had been injured in a car accident. But this was only a warm up.

On the evening of the vigil, there were reportedly 3 to 4 million people on the beach and in the nearby streets. Were it not for the palpable presence of Christian charity, this would have been chaos. In the midst of all these people, it was the Real Presence that instructed order upon the gathering. When the Blessed Sacrament was exposed for adoration on the altar, those 3 to 4 million people became truly, utterly, deafeningly silent. From where I knelt on the beach, my group and I were able to relish in this beautiful silence. The only human voice we could hear was an occasional, “Sombrinha!” (Portugese for “umbrella”), the shout of an irreverent salesmen who continued to canvas the beach. The silence was stunning.

The third occasion of deep silence came after the reception of Holy Communion at the papal Mass on Sunday. With similarly enormous crowds, it was edifying to stand in the midst of huddled, silent masses, each person offering thanksgiving to God for the gift of His grace. Accomplishing this feat would be difficult in most of our parishes; that it was accomplished in a crowd of millions I interpret as a sign of the Spirit’s presence.

Dr. Kwasniewski recently completed an excellent series of blogs on silence. Every good musician, moreover, knows the essential role that silence plays within a piece of music. I was privileged to experience hallowed silence on a grand scale. Perhaps an even greater challenge is to cultivate this silence in an abiding way in our hearts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

Recent Posts

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  • A Nice Hymn In Spanish
  • Fulton J. Sheen • “Why Four Bishops Voted Against the Liturgical Constitution”
  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”

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