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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · October 17, 2013

The Two Churches: Which One Do You Belong To?

There really are two churches: one is the true Church, the other is an anti-Church that represents and does the spadework for the anti-Christ, the anti-Word. It is spiritually beneficial to consider a portrait of each.

Dr. Peter Kwasniewski · October 10, 2013

“Let My Prayer Rise Like Incense”

It is often said that the earthly liturgy is a participation in the heavenly liturgy. Alas, in many cases this doesn’t fit in with our actual experiences, but there are exceptions. This past summer, heaven visited me in that way.

Dr. Peter Kwasniewski · October 3, 2013

Catholicism, the Persecuted Religion

Modern people can tolerate almost anything except a person’s being, or becoming, a Catholic.

Dr. Peter Kwasniewski · September 26, 2013

The Grand Debate Over Music and Morals

The controversy caused by my posts on rock music have prompted me to look back over the past four posts and try to see the thread that runs through all of them. It is the truth that Christians are called to pursue excellence in every way—that includes music.

Dr. Peter Kwasniewski · September 19, 2013

The Sexual Rhythm of Rock Music (2 of 2)

After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.

Dr. Peter Kwasniewski · September 12, 2013

The Sexual Rhythm of Rock Music (1 of 2)

The fundamental problem with rock music can be summed up quite simply: its rhythm is unnatural and morally tainted, and its inventors wanted it that way. We would do well to stay far from it.

Dr. Peter Kwasniewski · September 5, 2013

Nourishing Our Souls on Beautiful Music: A Moral Imperative

Since we must strive to flee even venial sins, it is always better to assume that today’s popular music, produced mostly by hedonists who are generally singing about sins, is a slippery slope leading to some kind of intellectual pollution and consent.

Dr. Peter Kwasniewski · August 29, 2013

On the Connection Between Good Art and Good Morals

Is there an intrinsic or necessary connection between being a good artist and being a good man? As with most of the great questions, the answer is no—and yes.

Dr. Peter Kwasniewski · August 22, 2013

Musings of an Aristotelian Catholic

In the mystery of the Incarnation, God takes delight in responding to man’s sensible, bodily nature, and the resulting need for tasting and touching our God.

Dr. Peter Kwasniewski · August 15, 2013

In This Little House of God

We must do all that we can do for the Lord, since our greatest is the least that is worthy of him. And when we do all the “little things” with love, we give Him great glory.

Dr. Peter Kwasniewski · August 8, 2013

Pope Francis’s Counsel: Do Not Waste What God Has Given Us

Pope Francis, no less than Pope Benedict, has a way of formulating universal principles of thought and action that apply to any number of related topics, including the sacred liturgy.

Dr. Peter Kwasniewski · August 1, 2013

Rediscovering Sacred Music with the Youth of Today

The true youth revolution in the Church will come by way of the mysticism of chant and the power of polyphony, not by way of second-rate imitations of secular music. To pull it off, however, requires real musical knowledge, talent, and a commitment to education.

Dr. Peter Kwasniewski · July 25, 2013

Silence (Part 3 of 3)

The fundamental precondition for active participation is interior silence. Praying in silence is a particularly noble form of human activity—more active than merely speaking or singing.

Dr. Peter Kwasniewski · July 18, 2013

Silence (Part 2 of 3)

If the conditions for recollection are never present in our lives, if we do not fight to create and guard such conditions, we will lose our awareness of divine mystery, as refreshing as springtime rains, and wander in a desert of superficiality.

Dr. Peter Kwasniewski · July 11, 2013

Silence (Part 1 of 3)

The New Evangelization is a bold project, but it will not succeed unless we can recover a strong sense of the sacred, which the gift of silence in church will help us achieve.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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