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Corpus Christi Watershed

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · October 17, 2013

The Two Churches: Which One Do You Belong To?

There really are two churches: one is the true Church, the other is an anti-Church that represents and does the spadework for the anti-Christ, the anti-Word. It is spiritually beneficial to consider a portrait of each.

Dr. Peter Kwasniewski · October 10, 2013

“Let My Prayer Rise Like Incense”

It is often said that the earthly liturgy is a participation in the heavenly liturgy. Alas, in many cases this doesn’t fit in with our actual experiences, but there are exceptions. This past summer, heaven visited me in that way.

Dr. Peter Kwasniewski · October 3, 2013

Catholicism, the Persecuted Religion

Modern people can tolerate almost anything except a person’s being, or becoming, a Catholic.

Dr. Peter Kwasniewski · September 26, 2013

The Grand Debate Over Music and Morals

The controversy caused by my posts on rock music have prompted me to look back over the past four posts and try to see the thread that runs through all of them. It is the truth that Christians are called to pursue excellence in every way—that includes music.

Dr. Peter Kwasniewski · September 19, 2013

The Sexual Rhythm of Rock Music (2 of 2)

After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.

Dr. Peter Kwasniewski · September 12, 2013

The Sexual Rhythm of Rock Music (1 of 2)

The fundamental problem with rock music can be summed up quite simply: its rhythm is unnatural and morally tainted, and its inventors wanted it that way. We would do well to stay far from it.

Dr. Peter Kwasniewski · September 5, 2013

Nourishing Our Souls on Beautiful Music: A Moral Imperative

Since we must strive to flee even venial sins, it is always better to assume that today’s popular music, produced mostly by hedonists who are generally singing about sins, is a slippery slope leading to some kind of intellectual pollution and consent.

Dr. Peter Kwasniewski · August 29, 2013

On the Connection Between Good Art and Good Morals

Is there an intrinsic or necessary connection between being a good artist and being a good man? As with most of the great questions, the answer is no—and yes.

Dr. Peter Kwasniewski · August 22, 2013

Musings of an Aristotelian Catholic

In the mystery of the Incarnation, God takes delight in responding to man’s sensible, bodily nature, and the resulting need for tasting and touching our God.

Dr. Peter Kwasniewski · August 15, 2013

In This Little House of God

We must do all that we can do for the Lord, since our greatest is the least that is worthy of him. And when we do all the “little things” with love, we give Him great glory.

Dr. Peter Kwasniewski · August 8, 2013

Pope Francis’s Counsel: Do Not Waste What God Has Given Us

Pope Francis, no less than Pope Benedict, has a way of formulating universal principles of thought and action that apply to any number of related topics, including the sacred liturgy.

Dr. Peter Kwasniewski · August 1, 2013

Rediscovering Sacred Music with the Youth of Today

The true youth revolution in the Church will come by way of the mysticism of chant and the power of polyphony, not by way of second-rate imitations of secular music. To pull it off, however, requires real musical knowledge, talent, and a commitment to education.

Dr. Peter Kwasniewski · July 25, 2013

Silence (Part 3 of 3)

The fundamental precondition for active participation is interior silence. Praying in silence is a particularly noble form of human activity—more active than merely speaking or singing.

Dr. Peter Kwasniewski · July 18, 2013

Silence (Part 2 of 3)

If the conditions for recollection are never present in our lives, if we do not fight to create and guard such conditions, we will lose our awareness of divine mystery, as refreshing as springtime rains, and wander in a desert of superficiality.

Dr. Peter Kwasniewski · July 11, 2013

Silence (Part 1 of 3)

The New Evangelization is a bold project, but it will not succeed unless we can recover a strong sense of the sacred, which the gift of silence in church will help us achieve.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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