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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · May 22, 2014

Three Categories of Liturgical Problem

We need to know the different kinds of problems there are, and who in the Church is qualified or required to fix them.

Dr. Peter Kwasniewski · May 15, 2014

Dogma as the Servant of Mystery

Dogmatic statements liberate the Christian intellect by establishing it in the truth.

Dr. Peter Kwasniewski · May 8, 2014

Sacred Choral Works CDs Available

These 3 full-length compact discs feature recordings of nearly every score in the 273-page book.

Dr. Peter Kwasniewski · May 1, 2014

A Triple Cord: Liturgy, Aquinas, and CST

The traditional liturgy, the study of St. Thomas Aquinas, and Catholic social doctrine―these three things stand or fall together.

Dr. Peter Kwasniewski · April 24, 2014

“Soft Source of Calm Tranquillity”: The Quiet Mass

A poem set to music by Handel perfectly captures the feelings one has at a quiet low Mass. Here I try to say why this form of the Mass is so special and valuable.

Dr. Peter Kwasniewski · April 17, 2014

Sheed on the Missal of 1968

Frank Sheed is one of my favorite Catholic authors, but when it came time for him to grapple with the liturgical revolution, either his perspicuity or his nerve failed him.

Dr. Peter Kwasniewski · April 10, 2014

Music Beautiful by Nature

The “beautiful” is largely distinguished by the degree to which the beautiful “thing” is in accord with nature.

Dr. Peter Kwasniewski · April 3, 2014

Why We Need the Greatest Art in Catholic Worship

Was it necessary to change our forms of worship to suit “modern man”? And do we need to set aside our glorious musical heritage? Absolutely not.

Dr. Peter Kwasniewski · March 27, 2014

Why Do We Kneel in Church?

Kneeling is a sign that both signifies and helps produce in the soul the disposition of humility before the great King over all the earth.

Dr. Peter Kwasniewski · March 20, 2014

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Eastern Catholics and Christians have maintained the depth, beauty, and sacredness of their liturgical heritage. How does the institutional failure of Roman Catholics to preserve their own heritage affect their ability to evangelize, or even to live a fully Catholic life?

Dr. Peter Kwasniewski · March 13, 2014

The Eternal, Not the Contemporary

Arvo Pärt speaks words of wisdom about why the music of some composers never gets old and why old texts are always young.

Dr. Peter Kwasniewski · March 6, 2014

Seven Theses for the Evaluation of Music

Let us listen consistently to the greatest works in music and make them the exemplars, the teachers, the inspirations and consolations of our interior life as aesthetic beings.

Dr. Peter Kwasniewski · February 27, 2014

Beethoven’s “Missa Solemnis” and the Five Ways of St. Thomas

An imaginative or imaginary (you decide) correlation between the five movements of the greatest proto-Romantic sacred work and the five greatest proofs for the existence of God.

Dr. Peter Kwasniewski · February 20, 2014

Seeking Inspiration in the Renaissance

Just as those who are passionate about sacred music find great inspiration in the Renaissance, so today we can look around at a new rebirth of Catholic tradition and find hope for a renewal of Catholic culture.

Dr. Peter Kwasniewski · February 13, 2014

Why Focus So Much on the Liturgy?

Sometimes people wonder why traditional Catholics make such a big deal of the liturgy. Do they really think it’s the most important thing in the world? As a matter of fact, they do―because it is.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

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