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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · May 22, 2014

Three Categories of Liturgical Problem

We need to know the different kinds of problems there are, and who in the Church is qualified or required to fix them.

Dr. Peter Kwasniewski · May 15, 2014

Dogma as the Servant of Mystery

Dogmatic statements liberate the Christian intellect by establishing it in the truth.

Dr. Peter Kwasniewski · May 8, 2014

Sacred Choral Works CDs Available

These 3 full-length compact discs feature recordings of nearly every score in the 273-page book.

Dr. Peter Kwasniewski · May 1, 2014

A Triple Cord: Liturgy, Aquinas, and CST

The traditional liturgy, the study of St. Thomas Aquinas, and Catholic social doctrine―these three things stand or fall together.

Dr. Peter Kwasniewski · April 24, 2014

“Soft Source of Calm Tranquillity”: The Quiet Mass

A poem set to music by Handel perfectly captures the feelings one has at a quiet low Mass. Here I try to say why this form of the Mass is so special and valuable.

Dr. Peter Kwasniewski · April 17, 2014

Sheed on the Missal of 1968

Frank Sheed is one of my favorite Catholic authors, but when it came time for him to grapple with the liturgical revolution, either his perspicuity or his nerve failed him.

Dr. Peter Kwasniewski · April 10, 2014

Music Beautiful by Nature

The “beautiful” is largely distinguished by the degree to which the beautiful “thing” is in accord with nature.

Dr. Peter Kwasniewski · April 3, 2014

Why We Need the Greatest Art in Catholic Worship

Was it necessary to change our forms of worship to suit “modern man”? And do we need to set aside our glorious musical heritage? Absolutely not.

Dr. Peter Kwasniewski · March 27, 2014

Why Do We Kneel in Church?

Kneeling is a sign that both signifies and helps produce in the soul the disposition of humility before the great King over all the earth.

Dr. Peter Kwasniewski · March 20, 2014

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Eastern Catholics and Christians have maintained the depth, beauty, and sacredness of their liturgical heritage. How does the institutional failure of Roman Catholics to preserve their own heritage affect their ability to evangelize, or even to live a fully Catholic life?

Dr. Peter Kwasniewski · March 13, 2014

The Eternal, Not the Contemporary

Arvo Pärt speaks words of wisdom about why the music of some composers never gets old and why old texts are always young.

Dr. Peter Kwasniewski · March 6, 2014

Seven Theses for the Evaluation of Music

Let us listen consistently to the greatest works in music and make them the exemplars, the teachers, the inspirations and consolations of our interior life as aesthetic beings.

Dr. Peter Kwasniewski · February 27, 2014

Beethoven’s “Missa Solemnis” and the Five Ways of St. Thomas

An imaginative or imaginary (you decide) correlation between the five movements of the greatest proto-Romantic sacred work and the five greatest proofs for the existence of God.

Dr. Peter Kwasniewski · February 20, 2014

Seeking Inspiration in the Renaissance

Just as those who are passionate about sacred music find great inspiration in the Renaissance, so today we can look around at a new rebirth of Catholic tradition and find hope for a renewal of Catholic culture.

Dr. Peter Kwasniewski · February 13, 2014

Why Focus So Much on the Liturgy?

Sometimes people wonder why traditional Catholics make such a big deal of the liturgy. Do they really think it’s the most important thing in the world? As a matter of fact, they do―because it is.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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