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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Booklet • Saint Antoine Daniel “Kyriale” (126 pages)

ERE IS A SPLENDID, affordable, powerful, indispensable book you should consider purchasing. It was created specifically for my parish in Los Angeles (where the Père Daniel resources are quite popular) but I thought some of our readers might like it as well, so it’s been made available for everyone. I could not function as a choirmaster without this book; it’s truly fabulous. Feel free to examine the complete file (126 pages). The draft copy was downloaded 600+ times—so there appears to be interest.

It came out crisp and beautiful:

*  Saint Antoine Daniel Kyriale ($5.99)
—126 pages; contains the complete KYRIALE, including Credo VII.

Why This Book? Some might point out that the KYRIALE can be found in the Parish Book of Chant (CMAA), which is a very nice book, as this pdf copy demonstrates. However, the Parish Book of Chant has a number of disadvantages:

Starting Pitches • The Parish Book of Chant lacks starting pitches; those who sing from the “Ordinarium Missae” on a regular basis appreciate how handy these are.

7th Credo • The Parish Book of Chant lacks the medieval Credo VII (one of the best).

Vidi Aquam Psalm Tone • The Parish Book of Chant does not provide an optional psalm tone version of the “Vidi Aquam” for the repeat—which means the priest has to stand there for a long time waiting.

Confusing Numbers • The Parish Book of Chant uses a “double” numbering system which is inelegant and extremely confusing.

Ineffective Headers • The Parish Book of Chant uses headers at the top of each page which are poorly done, repeating “Parish Book of Chant” over and over again.

Cost • The Parish Book of Chant costs $22.00 per copy, whereas the Antoine Daniel Kyriale costs $5.99.

Those are some of the reasons why our new publication was necessary.

Fun Fact: You might notice the bottom of page 76. This was an excellent suggestion by Fr. Valentine Young, OFM, and several FSSP priests. Without going into detail, it takes the “Benedicamus Domino” melody—for Sundays in Advent and Lent—but switches the words to “Ite Missa Est,” in accordance with Chapter 9 of Rubricarum Instructum (1961). I’m not thilled with the syllable placement, but it matches what is found in the official books:

82882-Benedicamus-Domino

After you examine page 76, let me know your thoughts in the Facebook comment section. While I don’t use Facebook very much for personal stuff, I do religiously read the comments that appear on the CCW Facebook page. (Pardon the pun!)

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

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