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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Booklet • Saint Antoine Daniel “Kyriale” (126 pages)

ERE IS A SPLENDID, affordable, powerful, indispensable book you should consider purchasing. It was created specifically for my parish in Los Angeles (where the Père Daniel resources are quite popular) but I thought some of our readers might like it as well, so it’s been made available for everyone. I could not function as a choirmaster without this book; it’s truly fabulous. Feel free to examine the complete file (126 pages). The draft copy was downloaded 600+ times—so there appears to be interest.

It came out crisp and beautiful:

*  Saint Antoine Daniel Kyriale ($5.99)
—126 pages; contains the complete KYRIALE, including Credo VII.

Why This Book? Some might point out that the KYRIALE can be found in the Parish Book of Chant (CMAA), which is a very nice book, as this pdf copy demonstrates. However, the Parish Book of Chant has a number of disadvantages:

Starting Pitches • The Parish Book of Chant lacks starting pitches; those who sing from the “Ordinarium Missae” on a regular basis appreciate how handy these are.

7th Credo • The Parish Book of Chant lacks the medieval Credo VII (one of the best).

Vidi Aquam Psalm Tone • The Parish Book of Chant does not provide an optional psalm tone version of the “Vidi Aquam” for the repeat—which means the priest has to stand there for a long time waiting.

Confusing Numbers • The Parish Book of Chant uses a “double” numbering system which is inelegant and extremely confusing.

Ineffective Headers • The Parish Book of Chant uses headers at the top of each page which are poorly done, repeating “Parish Book of Chant” over and over again.

Cost • The Parish Book of Chant costs $22.00 per copy, whereas the Antoine Daniel Kyriale costs $5.99.

Those are some of the reasons why our new publication was necessary.

Fun Fact: You might notice the bottom of page 76. This was an excellent suggestion by Fr. Valentine Young, OFM, and several FSSP priests. Without going into detail, it takes the “Benedicamus Domino” melody—for Sundays in Advent and Lent—but switches the words to “Ite Missa Est,” in accordance with Chapter 9 of Rubricarum Instructum (1961). I’m not thilled with the syllable placement, but it matches what is found in the official books:

82882-Benedicamus-Domino

After you examine page 76, let me know your thoughts in the Facebook comment section. While I don’t use Facebook very much for personal stuff, I do religiously read the comments that appear on the CCW Facebook page. (Pardon the pun!)

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

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