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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Palm Sunday Outline • Extraordinary Form

Jeff Ostrowski · March 29, 2015

10a. The singing the Antiphon “Hosanna Filio David” begins the ceremony, as the celebrant walks to a table:

Ant. HOSANNA FILIO DAVID   •   PDF Score   •   1st Video   •   2nd Video   •   Organist


12a. Then comes the blessing of the palms.

Dominus vobiscum. etc.

The celebrant sings a Collect beginning with Oremus.


14a. Celebrant sprinkles with Holy Water the palm branches—those on the table, as well as those in the hands of the people (unless branches will be distributed to them after the blessing).

“Two methods of blessing the branches are offered in the restored Ordo Hebdomadae Sanctae. First, the branches may be prepared by the faithful and brought by them to the church, where they are blessed before the procession. Or the branches may be prepared in the church, blessed, and then distributed to the faithful for the procession. In any case the branches for the clergy and servers are not distributed to them until after the blessing.”


16a. Celebrant incenses the branches on the table and those held by the people (unless branches will be distributed to them after the blessing).


18a. Having kissed the Altar, the Celebrant distributes palm branches to the servers and people (unless the people have theirs already). During the distribution, the following antiphons & psalms are sung:

Two antiphons w/ psalms: PUERI HEBRAEORUM   •   First Antiphon   •   Second Antiphon

If these chants are not long enough, they are repeated until the distribution of palm branches is finished. If, on the other hand, the distribution ends first, the “Gloria Patri” is sung at once, followed by the antiphon.

Therefore, this PDF SCORE will be useful where the people are already holding the palm branches—since the only distribution in that case will be to the Altar Servers, which takes a very short time.


20a. After a Gospel (Mt 21: 1-9) is sung or read, the procession begins, when the Deacon (or Celebrant) sings:

101 Procedamus in pace


22a. During the procession—wherein the people process holding palm branches—all or some of the following selections may be sung:

First Antiphon • Occúrrunt turbae

Second Antiphon • Cum ángelis et púeris

Third Antiphon • Turba multa quae convénerat

Fourth Antiphon • Coepérunt omnes turbae

Hymn to Christ the King • “Glória laus et honor”
Vocal Score   •   Organist Score   •   1st Video   •   2nd Video

Fifth Antiphon (Version A) with Psalm • Omnes colláudant nomen tuum

Fifth Antiphon (Version B) with Psalm • Omnes colláudant nomen tuum

Sixth Antiphon • Fulgéntibus palmis prostérnimur

Seventh Antiphon • Ave Rex noster

The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honor of Christ the King.


24a. When the procession enters the church, that is, as the celebrant goes through the door, a Responsory (Ingrediénte Dómino) is begun, which is found at the GoupilChant Website, along with the rest of the Mass chants for Palm Sunday.



HELPFUL RESOURCES for PALM SUNDAY in the EXTRAORDINARY FORM:

1   Msgr. Frederick R. McManus • RITES of HOLY WEEK (1956). Courtesy of RARTY.

2   St. Peter’s Abbey, Solesmes • REVISED PALM SUNDAY with MUSIC (1957).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Palm Sunday Extraordinary Form Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, those launching such attacks often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. If such people would pick up the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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