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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Edmund Campion Missal • “Third Edition”

ULTON J. SHEEN said famously: “Evil has its hour; God has His day.” Since the 1960s, Catholics have witnessed catastrophic apostasy. Yet in the year 2022, things are taking place nobody could have imagined. Five days ago, Cardinal Zuppi, head of the Italian Bishops’ Conference, led “Extraordinary Form” Vespers in the heart of Rome. Four days ago, the 1962 Missal was used in Saint Peter’s Basilica (!) by Monsignor Marco Agostini, MASTER OF CEREMONIES for Pope Francis. Three days ago, the USCCB Vice President and Archbishop of Detroit—who served on the Bishop’s Liturgy Committee alongside bishops like Cupich and Trautman—confirmed using the traditional PONTIFICALE ROMANUM. These are but a few examples.

Today, the next milestone has arrived:

*  Third Edition • SAINT EDMUND CAMPION MISSAL
—Help your congregation follow the Traditional Latin Mass!
—Click here to purchase from Sophia Institute Press.

*  SAMPLE PAGES (A) • “Book Size Comparison”
*  SAMPLE PAGES (B) • “Cover Design”
*  SAMPLE PAGES (C) • “Color Pages” Ordo Missae
*  SAMPLE PAGES (D) • “Ancient Manuscripts”
*  SAMPLE PAGES (E) • “Holy Week” (1962 Version)
*  SAMPLE PAGES (F) • “Holy Week” (1950 Version)
*  SAMPLE PAGES (G) • “The Passion of our Savior”
*  SAMPLE PAGES (H) • “Gregorian Chant”
*  SAMPLE PAGES (I) • “Extremely High Print Quality”
*  SAMPLE PAGES (J) • “Additional Features”
*  SAMPLE PAGES (K) • “Explanations & Commentary”
*  SAMPLE PAGES (L) • “Artistic Woodcuts” Enhanced Digitally
*  SAMPLE PAGES (M) • “Special Alphabet for the 3rd Edition”

*  PDF Summary • FIVE FANTASTIC FEATURES
—This brief list attempts to summarize the most salient aspects of this 832-page book.

Feedback: Someone who saw the draft manuscript wrote: “As a musicologist, liturgical enthusiast, and teacher I really enjoy all of the extra notes throughout (indicating propers that appear on other feasts, melodic details, antiphon verses, the prefaces on communion and offertory antiphons, references to manuscripts, papal and patristic notes and commentaries, etc.), and all of those B&W plates are just wonderful. Thank you for this book!”

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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