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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

Veronica Moreno · October 29, 2025

HERE ARE SEVERAL reasons I think readers will cherish the following SATB Christmas piece, which is a breathtaking arrangement of Angels We Have Heard on High for unaccompanied SATB choir. Although it’s not a lengthy piece, it uses techniques singers relish. There’s a glorious pedal tone in the bass towards the end. There’s a ‘canonic’ section which is super fun. There are times when the voices come into unison—which helps volunteer singers stay on track. Finally, it uses familiar tunes, but the text is in Latin, so nobody in the congregation will try to sing along, which would spoil the effect of this particular arrangement by Moreau.*

*  PDF Download • “Angels We Have Heard on High” (Latin Text)
—Re-typeset with assistance from the Corpus Christi Watershed staff.

Free rehearsal videos for each individual voice await you at #22358.

Rehearsal Videos • The rehearsal videos for each individual voice (see link above) were recorded by my dear friend, CORRINNE MAY, and the results are phenomenal. I dearly miss singing with Corrinne, who has a home in Los Angeles, but frequently travels to different continents, as she’s in demand as a singer/songwriter. It was nice to hear her voice on those videos.

Origins Of This Composition • I’ve already spoken about our trip to Europe, and won’t repeat what I’ve said in the past (for instance, about meeting the pope). I’ve also written about the musical compositions I discovered, composed by Énemond Moreau (d. 1979), who studied with Oscar De Puydt at the LEMMENSINSTITUUT in Belgium. I found these precious unpublished manuscripts near Ars-sur-Formans in the summer of 2024. As you can see by the score above, the CCW staff provided assistance when it came to type-setting the manuscript. But I would like to say a word about France.

21791-Veronica-Moreno-In-France-A
21791-Veronica-Moreno-In-France-D
21791-Veronica-Moreno-In-France-C
21791-Veronica-Moreno-In-France-B

My Favorite Country • France is my favorite place, and I ardently hope to return someday. We didn’t limit ourselves to the ‘normal’ tourist places. Instead, we stayed in little towns and villages, then spent hours driving to different spots daily, returning to our ‘home base’ each night. By so doing, we experienced genuine French culture. France is my favorite place because her cities and towns—and even her streets!—are unique and sophisticated. It would take too long to describe fully what I find so wonderful about France, but allow me to point out that it’s the only country I know of which has crucifixes all throughout the countryside. It also has the most magnificent castles, roadside monument signs, red poppies, and the world’s best pastries!

* I’m all for ‘congregational singing’—and those familiar with my work at parishes here in West Covina (over the past two decades) know this beyond any doubt. But it’s not desirable for congregations to join with every song. Some pieces are designed for the congregation to hear, not sing: Fídes ex audítu.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Énemond Moreau Composer, Lemmensinstituut, Oscar De Puydt, Oscar Depuydt Last Updated: October 29, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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