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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

Veronica Moreno · October 29, 2025

HERE ARE SEVERAL reasons I think readers will cherish the following SATB Christmas piece, which is a breathtaking arrangement of Angels We Have Heard on High for unaccompanied SATB choir. Although it’s not a lengthy piece, it uses techniques singers relish. There’s a glorious pedal tone in the bass towards the end. There’s a ‘canonic’ section which is super fun. There are times when the voices come into unison—which helps volunteer singers stay on track. Finally, it uses familiar tunes, but the text is in Latin, so nobody in the congregation will try to sing along, which would spoil the effect of this particular arrangement by Moreau.*

*  PDF Download • “Angels We Have Heard on High” (Latin Text)
—Re-typeset with assistance from the Corpus Christi Watershed staff.

Free rehearsal videos for each individual voice await you at #22358.

Live recording for 2026
by a volunteer choir.

Rehearsal Videos • The rehearsal videos for each individual voice (see link above) were recorded by my dear friend, CORRINNE MAY, and the results are phenomenal. I dearly miss singing with Corrinne, who has a home in Los Angeles, but frequently travels to different continents, as she’s in demand as a singer/songwriter. It was nice to hear her voice on those videos.

Origins Of This Composition • I’ve already spoken about our trip to Europe, and won’t repeat what I’ve said in the past (for instance, about meeting the pope). I’ve also written about the musical compositions I discovered, composed by Énemond Moreau (d. 1979), who studied with Oscar De Puydt at the LEMMENSINSTITUUT in Belgium. I found these precious unpublished manuscripts near Ars-sur-Formans in the summer of 2024. As you can see by the score above, the CCW staff provided assistance when it came to type-setting the manuscript. But I would like to say a word about France.

21791-Veronica-Moreno-In-France-A
21791-Veronica-Moreno-In-France-D
21791-Veronica-Moreno-In-France-C
21791-Veronica-Moreno-In-France-B

My Favorite Country • France is my favorite place, and I ardently hope to return someday. We didn’t limit ourselves to the ‘normal’ tourist places. Instead, we stayed in little towns and villages, then spent hours driving to different spots daily, returning to our ‘home base’ each night. By so doing, we experienced genuine French culture. France is my favorite place because her cities and towns—and even her streets!—are unique and sophisticated. It would take too long to describe fully what I find so wonderful about France, but allow me to point out that it’s the only country I know of which has crucifixes all throughout the countryside. It also has the most magnificent castles, roadside monument signs, red poppies, and the world’s best pastries!

* I’m all for ‘congregational singing’—and those familiar with my work at parishes here in West Covina (over the past two decades) know this beyond any doubt. But it’s not desirable for congregations to join with every song. Some pieces are designed for the congregation to hear, not sing: Fídes ex audítu.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Énemond Moreau Composer, Lemmensinstituut, Oscar De Puydt, Oscar Depuydt Last Updated: January 15, 2026

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We went to the early Mass to receive Communion because there was no distribution of Communion at the High Mass. After Mass was the breakfast, which was always of better quality than on ordinary days. Then after the breakfast we all returned to church for the Solemn Mass.”

— Dom Ermin Vitry, OSB

Recent Posts

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  • Extreme Unction
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  • Which Mass?

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