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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

Veronica Moreno · October 29, 2025

HERE ARE SEVERAL reasons I think readers will cherish the following SATB Christmas piece, which is a breathtaking arrangement of Angels We Have Heard on High for unaccompanied SATB choir. Although it’s not a lengthy piece, it uses techniques singers relish. There’s a glorious pedal tone in the bass towards the end. There’s a ‘canonic’ section which is super fun. There are times when the voices come into unison—which helps volunteer singers stay on track. Finally, it uses familiar tunes, but the text is in Latin, so nobody in the congregation will try to sing along, which would spoil the effect of this particular arrangement by Moreau.*

*  PDF Download • “Angels We Have Heard on High” (Latin Text)
—Re-typeset with assistance from the Corpus Christi Watershed staff.

Free rehearsal videos for each individual voice await you at #22358.

Live recording for 2026
by a volunteer choir.

Rehearsal Videos • The rehearsal videos for each individual voice (see link above) were recorded by my dear friend, CORRINNE MAY, and the results are phenomenal. I dearly miss singing with Corrinne, who has a home in Los Angeles, but frequently travels to different continents, as she’s in demand as a singer/songwriter. It was nice to hear her voice on those videos.

Origins Of This Composition • I’ve already spoken about our trip to Europe, and won’t repeat what I’ve said in the past (for instance, about meeting the pope). I’ve also written about the musical compositions I discovered, composed by Énemond Moreau (d. 1979), who studied with Oscar De Puydt at the LEMMENSINSTITUUT in Belgium. I found these precious unpublished manuscripts near Ars-sur-Formans in the summer of 2024. As you can see by the score above, the CCW staff provided assistance when it came to type-setting the manuscript. But I would like to say a word about France.

21791-Veronica-Moreno-In-France-A
21791-Veronica-Moreno-In-France-D
21791-Veronica-Moreno-In-France-C
21791-Veronica-Moreno-In-France-B

My Favorite Country • France is my favorite place, and I ardently hope to return someday. We didn’t limit ourselves to the ‘normal’ tourist places. Instead, we stayed in little towns and villages, then spent hours driving to different spots daily, returning to our ‘home base’ each night. By so doing, we experienced genuine French culture. France is my favorite place because her cities and towns—and even her streets!—are unique and sophisticated. It would take too long to describe fully what I find so wonderful about France, but allow me to point out that it’s the only country I know of which has crucifixes all throughout the countryside. It also has the most magnificent castles, roadside monument signs, red poppies, and the world’s best pastries!

* I’m all for ‘congregational singing’—and those familiar with my work at parishes here in West Covina (over the past two decades) know this beyond any doubt. But it’s not desirable for congregations to join with every song. Some pieces are designed for the congregation to hear, not sing: Fídes ex audítu.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Énemond Moreau Composer, Lemmensinstituut, Oscar De Puydt, Oscar Depuydt Last Updated: January 15, 2026

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

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  • PDF Download • Introit (2nd Sn. Ord.)

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