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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

Veronica Moreno · October 29, 2025

HERE ARE SEVERAL reasons I think readers will cherish the following SATB Christmas piece, which is a breathtaking arrangement of Angels We Have Heard on High for unaccompanied SATB choir. Although it’s not a lengthy piece, it uses techniques singers relish. There’s a glorious pedal tone in the bass towards the end. There’s a ‘canonic’ section which is super fun. There are times when the voices come into unison—which helps volunteer singers stay on track. Finally, it uses familiar tunes, but the text is in Latin, so nobody in the congregation will try to sing along, which would spoil the effect of this particular arrangement by Moreau.*

*  PDF Download • “Angels We Have Heard on High” (Latin Text)
—Re-typeset with assistance from the Corpus Christi Watershed staff.

Free rehearsal videos for each individual voice await you at #22358.

Live recording for 2026
by a volunteer choir.

Rehearsal Videos • The rehearsal videos for each individual voice (see link above) were recorded by my dear friend, CORRINNE MAY, and the results are phenomenal. I dearly miss singing with Corrinne, who has a home in Los Angeles, but frequently travels to different continents, as she’s in demand as a singer/songwriter. It was nice to hear her voice on those videos.

Origins Of This Composition • I’ve already spoken about our trip to Europe, and won’t repeat what I’ve said in the past (for instance, about meeting the pope). I’ve also written about the musical compositions I discovered, composed by Énemond Moreau (d. 1979), who studied with Oscar De Puydt at the LEMMENSINSTITUUT in Belgium. I found these precious unpublished manuscripts near Ars-sur-Formans in the summer of 2024. As you can see by the score above, the CCW staff provided assistance when it came to type-setting the manuscript. But I would like to say a word about France.

21791-Veronica-Moreno-In-France-A
21791-Veronica-Moreno-In-France-D
21791-Veronica-Moreno-In-France-C
21791-Veronica-Moreno-In-France-B

My Favorite Country • France is my favorite place, and I ardently hope to return someday. We didn’t limit ourselves to the ‘normal’ tourist places. Instead, we stayed in little towns and villages, then spent hours driving to different spots daily, returning to our ‘home base’ each night. By so doing, we experienced genuine French culture. France is my favorite place because her cities and towns—and even her streets!—are unique and sophisticated. It would take too long to describe fully what I find so wonderful about France, but allow me to point out that it’s the only country I know of which has crucifixes all throughout the countryside. It also has the most magnificent castles, roadside monument signs, red poppies, and the world’s best pastries!

* I’m all for ‘congregational singing’—and those familiar with my work at parishes here in West Covina (over the past two decades) know this beyond any doubt. But it’s not desirable for congregations to join with every song. Some pieces are designed for the congregation to hear, not sing: Fídes ex audítu.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Énemond Moreau Composer, Lemmensinstituut, Oscar De Puydt, Oscar Depuydt Last Updated: January 15, 2026

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

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  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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