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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Practical Method of Projecting Solfege for Chant

Mark Haas · October 28, 2025

HIS YEAR, our 40-voice children’s choir has taken on a bold new goal: to proclaim the Gregorian Propers within the Novus Ordo Mass. Specifically, our young choristers are singing both the Introit and the Communion Antiphon from the Graduale Romanum. We wanted to challenge our kids with the beauty and richness of the Church’s authentic treasury. Of course, such a challenge requires careful preparation. Children are capable of great musical achievement when given the right tools, and I wanted to give them one of the most time-tested tools of all: solfege. The familiar “Do-Re-Mi-Fa-So-La-Ti-Do” system not only trains the ear but also provides a concrete way for students to understand intervals, pitches, and the flow of chant melodies. Our adult choir already benefits from this approach—since their rehearsal room includes a projector screen, I can project the chant, enlarge it, and clearly label the solfege syllables on PowerPoint slides.

The children’s choir, however, for various logistical reasons, practices in the choir loft, and no projector or screen is readily available there. I quickly realized I needed another way to enlarge the chant so that I could add teaching annotations. After a bit of trial and error, I developed a method that has thus far proven effective.

*  Mp3 Download • Live Rec. (“In voluntáte tua, Dómine”)
—“In voluntáte tua, Dómine” (Abr.) • Ave Maria Parish Children’s Choir • Mark Haas, conductor; Michael Olbash, organist

Here’s the step-by-step process:

1. Enlarge the Chant
I begin by opening the chant on my computer and expanding it so that the score can be split across two sheets of 11×17 paper (Ledger size). This makes the neumes large and clear enough for group learning.

2. Remove Excess Text
I crop out the text of the chant, leaving only the square notes. This keeps the children focused entirely on the melody while learning solfege.

3. Assemble the Poster
After printing, I tape the two sheets together. The result is a neat 11×34 poster of Gregorian chant—large enough to be read by all 40 children at once.

4. Add Solfege in Red
Using a red marker, I carefully label the solfege syllables above or below each note. To conserve space and maintain clarity, I use only capital letters. This gives the children a strong visual guide as they sing.

5. Mark Rhythmic Nuances in Green
To highlight rhythmic lengthenings—such as quilismas, episemas, salicuses, etc.—I use a green marker. This color contrast makes it easy for students to spot where they need to give extra emphasis or hold a note slightly longer.

Once complete, I place the poster on two sturdy music stands in the middle of the choir. The children now have a clear, colorful solfege reference as they rehearse new chants. As an additional bit of fun, the kids take turns holding the pointer. As we site-read a new chant, one of the singers uses a pointer to point to each pitch. This keeps them all engaged with reading and singing.

The results have been encouraging. The choristers are not only learning the Propers more quickly but are also internalizing the sound of solfege in relation to Gregorian modes. What began as a practical workaround has become a surprising tool in our program.

If you direct a choir—whether children or adults—this might be a simple method to try. With a little preparation, you may find your singers rising to new heights in their chant singing, proclaiming the liturgy with both beauty and confidence.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 28, 2025

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About Mark Haas

Mark Haas is a composer and speaker whose music has been sung in over 600 parishes and 10 countries. He serves as the Music Director at Ave Maria Parish in Ave Maria, Florida where he lives with his wife and seven children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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