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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary or Extraordinary Form

Veronica Moreno · March 23, 2025

SOMETIMES FEEL THAT housewives are especially close to the Heart of God. I say this because our vocation has an immediacy that keeps us focused. We don’t have the luxury of obsessing over each new ‘crisis’ invented by cable news because our duties are urgent: a child who’s hurt or ill; a child who must be fed; a child who must be put to sleep; a child who needs lunch prepared; and so on. If something truly important happens, we’ll eventually hear about it. And there’s an important analogy here related to the sacred liturgy. If you read to the end of my article, it will become clear why I bring this up.

First, I want to share something really exciting. My daughter and I had the chance to record a beautiful ALLELUIA by Palestrina. I recorded the Alto Voice for the rehearsal video. My daughter sang the Soprano Voice. In the Extraordinary Form, it can be used with the ‘Alleluia Verse’ assigned to each Sunday, a technique we learned at the Sacred Music Symposium. In the Ordinary Form, it can be used as a ‘choral extension’ for the GOSPEL ACCLAMATION.

*  PDF Download • “Alleluia” for the Ordinary Form
—Giovanni Pierluigi da Palestrina directed the Capella Julia.

Free rehearsal videos for each individual voice await you at #26561.

Origins of Liturgical Modifications • When the liturgical changes were introduced in the 1970s, many Catholics—like a housewife focused on her duties—basically said: “I’m going to trust that all these changes were carefully considered by knowledgeable experts with good intentions.” In a certain sense their attitude was praiseworthy. But over the years (especially thanks to the internet) we’ve come to understand that many liturgical changes were undertaken in a haphazard way. Many are indefensible. Even Dr. Scott Hahn has come around to this position. I don’t feel it’s polemical to describe post-conciliar changes this way, since I’m unaware of any scholars willing to defend them. The revelations by key players in the reform (Prof. Louis Bouyer, Cardinal Giacomo Lercaro, Dom Adalbert Franquesa Garrós, Cardinal Ferdinando Antonelli, etc.) seem incontrovertible. My husband has done a lot of reading in this arena, and I have noticed these topics being covered by my colleagues on this blog.

Another Bombshell • Last week, a major bombshell dropped having to do with the two largest publishers of Catholic liturgical music in the United States.1 It came by means of an article by Michael Hichborn (a member of the John Paul II Academy for Human Life and the Family) published on 18 March 2025:

*  LEPANTO INSTITUTE • “The Hymnal Industrial Complex”

In spite of what’s shared in that article, I’ve been astounded to see some Catholic musicians try to defend OCP and GIA. Some even say—publicly!—they don’t care if the ones in charge of creating the hymnals are Jehovah’s Witness, Jewish, Protestant, Buddhist, or Mormon. But any Catholic who takes the Faith seriously knows it matters whether those in charge of creating hymnals are practicing Catholics. The reason should be obvious: hymns contain lyrics in addition to musical notes. And lyrics express either truths or falsehoods about our Lord and Redeemer. False statements about Jesus Christ, who is TRUTH itself, are blasphemous.

The article by Michael Hichborn contains details which are quite sordid. This isn’t something decent people want to discuss. But if we refuse to discuss such matters, how will the situation be fixed?

A Better Way • On this blog, I have shared stories about our recent pilgrimage to Rome. We had the privilege of spending time with several musicians in charge of special choirs at the Vatican. Giovanni Pierluigi da Palestrina was known to be a very religious man, and he died in the arms of Saint Philip Neri. Even though the video above is imperfect—since it’s just a rehearsal video—one can still hear how beautiful and pure Palestrina’s music is. In the face of such masterpieces, why would anyone want to sing music with texts created by non-Christian companies?

The image below was taken a few months ago, when we met Pope Francis in Rome. I’m in a black dress, holding the camera:

1 The influence of these two notorious publishing companies (GIA PUBLICATIONS and OCP) extends to a much larger area than the United States. Their influence reaches most English-speaking countries, especially developing countries. I have in mind nations such as: India, Nigeria, the Philippines, Singapore, Canada, Australia, South Africa, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Alec Harris GIA Publications, Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Dr Scott Hahn, Father Adalbert Franquesa Garrós, Louis Bouyer Oratorian Priest, Michael Hichborn Lepanto Last Updated: March 25, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

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