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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary or Extraordinary Form

Veronica Moreno · March 23, 2025

SOMETIMES FEEL THAT housewives are especially close to the Heart of God. I say this because our vocation has an immediacy that keeps us focused. We don’t have the luxury of obsessing over each new ‘crisis’ invented by cable news because our duties are urgent: a child who’s hurt or ill; a child who must be fed; a child who must be put to sleep; a child who needs lunch prepared; and so on. If something truly important happens, we’ll eventually hear about it. And there’s an important analogy here related to the sacred liturgy. If you read to the end of my article, it will become clear why I bring this up.

First, I want to share something really exciting. My daughter and I had the chance to record a beautiful ALLELUIA by Palestrina. I recorded the Alto Voice for the rehearsal video. My daughter sang the Soprano Voice. In the Extraordinary Form, it can be used with the ‘Alleluia Verse’ assigned to each Sunday, a technique we learned at the Sacred Music Symposium. In the Ordinary Form, it can be used as a ‘choral extension’ for the GOSPEL ACCLAMATION.

*  PDF Download • “Alleluia” for the Ordinary Form
—Giovanni Pierluigi da Palestrina directed the Capella Julia.

Free rehearsal videos for each individual voice await you at #26561.

Origins of Liturgical Modifications • When the liturgical changes were introduced in the 1970s, many Catholics—like a housewife focused on her duties—basically said: “I’m going to trust that all these changes were carefully considered by knowledgeable experts with good intentions.” In a certain sense their attitude was praiseworthy. But over the years (especially thanks to the internet) we’ve come to understand that many liturgical changes were undertaken in a haphazard way. Many are indefensible. Even Dr. Scott Hahn has come around to this position. I don’t feel it’s polemical to describe post-conciliar changes this way, since I’m unaware of any scholars willing to defend them. The revelations by key players in the reform (Prof. Louis Bouyer, Cardinal Giacomo Lercaro, Dom Adalbert Franquesa Garrós, Cardinal Ferdinando Antonelli, etc.) seem incontrovertible. My husband has done a lot of reading in this arena, and I have noticed these topics being covered by my colleagues on this blog.

Another Bombshell • Last week, a major bombshell dropped having to do with the two largest publishers of Catholic liturgical music in the United States.1 It came by means of an article by Michael Hichborn (a member of the John Paul II Academy for Human Life and the Family) published on 18 March 2025:

*  LEPANTO INSTITUTE • “The Hymnal Industrial Complex”

In spite of what’s shared in that article, I’ve been astounded to see some Catholic musicians try to defend OCP and GIA. Some even say—publicly!—they don’t care if the ones in charge of creating the hymnals are Jehovah’s Witness, Jewish, Protestant, Buddhist, or Mormon. But any Catholic who takes the Faith seriously knows it matters whether those in charge of creating hymnals are practicing Catholics. The reason should be obvious: hymns contain lyrics in addition to musical notes. And lyrics express either truths or falsehoods about our Lord and Redeemer. False statements about Jesus Christ, who is TRUTH itself, are blasphemous.

The article by Michael Hichborn contains details which are quite sordid. This isn’t something decent people want to discuss. But if we refuse to discuss such matters, how will the situation be fixed?

A Better Way • On this blog, I have shared stories about our recent pilgrimage to Rome. We had the privilege of spending time with several musicians in charge of special choirs at the Vatican. Giovanni Pierluigi da Palestrina was known to be a very religious man, and he died in the arms of Saint Philip Neri. Even though the video above is imperfect—since it’s just a rehearsal video—one can still hear how beautiful and pure Palestrina’s music is. In the face of such masterpieces, why would anyone want to sing music with texts created by non-Christian companies?

The image below was taken a few months ago, when we met Pope Francis in Rome. I’m in a black dress, holding the camera:

1 The influence of these two notorious publishing companies (GIA PUBLICATIONS and OCP) extends to a much larger area than the United States. Their influence reaches most English-speaking countries, especially developing countries. I have in mind nations such as: India, Nigeria, the Philippines, Singapore, Canada, Australia, South Africa, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Alec Harris GIA Publications, Archbishop Hannibal Bugnini, Cardinal Ferdinando Giuseppe Antonelli OFM, Dr Scott Hahn, Father Adalbert Franquesa Garrós, Louis Bouyer Oratorian Priest, Michael Hichborn Lepanto Last Updated: March 25, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

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