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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • “Reform of the Reform”

Corpus Christi Watershed · March 14, 2025

The following came from Chad H.
[We usually redact names for anonymity’s sake.]

LOVED YOUR RECENT ARTICLE about the “Reform of the Reform,” however to my mind it just adds more “fuel to the fire.” I co-ordinate our Sunday only TLM Mass and try to engage with the pews as much as possible. We are a sub-group of a Novus Ordo parish with our own chapel. We try diligently to be part of the overall parish structure. However, once the word “Latin” is mentioned, everything shuts down. As an elderly person, I grew up with the TLM and experienced 40 years as an amateur choir leader before going back to my liturgical roots. Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment—without realising what it was supposed to be until much later. In that time, I’ve come to realise that ‘entertainment’ instead of ‘liturgical reverence’ is the attraction for most who are fulfilling their Sunday Obligation via the Ordinary Form. I’m convinced that if we had the ability to have Solemn High Masses—regularly or irregularly—our attendance would soar. To the average Catholic, all this bickering about what is ‘traditional’ and what is ‘pseudo’ traditional is irrelevant. If the TLM or OF makes it internally worthwhile for me to go to a Mass, then “count me in.” There is a TLM Mass Centre in another local suburb that was rather rabid several years ago—and still is to a lesser degree—about the meaning of Traditional Liturgy. It came close to destroying their community. Is there a clear answer? In my opinion OF verses EF has gone on too long. The hierarchy are at sixes and sevens, the priesthood is not very supportive, and most attendees at Mass have only ever known the Ordinary Form … therefore anything ‘else’ must be an aberration. Change has to be driven at the lowest level that engages the non-TLM generations. How do you eat an elephant? A mouthful at a time. God Bless you and your work.

The following came from Mateo B.
[We usually redact names for anonymity’s sake.]

ENJOYED YOUR ARTICLE about the “Reform of the Reform.” I have two thoughts: (1) I do feel that the ROFR might be running out of steam, as far as fixing the Novus Ordo goes. I think people have had enough time to realize that the “juice ain’t worth the squeeze”—that their efforts are subject to episcopal or presbyterial whim, houses built upon sand. I recall the exact moment I felt this: We were doing sung Novus Ordo Vespers at my parish for a while. I was really trying to have the music be as traditional as possible: I would diligently look up the correct antiphon in official (or no?) books; find the chant for it; it there was no chant for it, I’d try to make my own simple rendition in Gregorian tones; I’d find music for the hymn; I’d set the English of the hymn to the proper hymn tune from the Liber Hymnarius, fending off requests for Taizé music; etc. It took me hours the first time I did it, and only after weeks of this did I get the preparation time down to maybe 30 minutes. I found myself constantly making my own personal calls as to what the antiphon tune was even supposed to be, what translation of the hymn even matched the hymn tune, flicking from PDF to PDF, learning and practicing these novel chants, etc. And I realized one day, as I prepared: No one cares. Certainly not the bishops. And all my work would be as tears in the rain when next they shift their ponderous bureaucracy to drop a new translation … which will have typos, errors, and a shifting sand dunes of options. My printing hard-wrought Vespers packets—with an expiration date of a decade or so—no longer seemed like a good use of time. I have a wife and many children to think of. The TLM Vespers were so much easier to put together. Usually there was already a fully-complete packet somewhere. We started gathering at a friend’s house once a month to do that instead. It feels nice to practice an antiphon that’s a thousand years old, and that—I truly believe—will be sung until He comes again. (The post-1910 breviary has untraditionalism too, but I couldn’t convince anyone to go full-monastic with me.) My smart-guy quip to my sympathetic pastor: “Preparing for the Novus Ordo is like dealing with a surly teen: it hates when you pay too much attention to it but also hates being ignored—and it’s exhausting either way.” (2) Re: Poorly informed traditionalists. Since I’m in my early 30s, so I never experienced TLM in the olden days, nor even in a parish with people who remembered the olden days. My ideals of tradition are totally contradictory. For instance, celebrating first Vespers of a saint’s day followed by Mass doesn’t bother me at all, because that’s what I can actually attend. And also, give me 1950 Holy Week now, but Holy Saturday in the evening because fire is awesome in the dark. A mess, I know. Basically, I want to get away with as much fun tradition as I can—even if that means ignoring traditional rubrics as regards time. Perhaps I’m a troglodyte, but I just want to do what I’m able, with as much tradition as possible, when it’s possible to do it, with as little infection as possible from destroying, rationalizing men like Bugnini. (That’s the drive, for me, of wanting to return to the older Holy Week. You’re right: I don’t know what I’m asking for. But I don’t like anything Bugnini had a hand in creating.) Thank you for reading my rambles.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: March 17, 2025

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

Recent Posts

  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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