• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Reader Feedback • “Reform of the Reform”

Corpus Christi Watershed · March 14, 2025

The following came from Chad H.
[We usually redact names for anonymity’s sake.]

LOVED YOUR RECENT ARTICLE about the “Reform of the Reform,” however to my mind it just adds more “fuel to the fire.” I co-ordinate our Sunday only TLM Mass and try to engage with the pews as much as possible. We are a sub-group of a Novus Ordo parish with our own chapel. We try diligently to be part of the overall parish structure. However, once the word “Latin” is mentioned, everything shuts down. As an elderly person, I grew up with the TLM and experienced 40 years as an amateur choir leader before going back to my liturgical roots. Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment—without realising what it was supposed to be until much later. In that time, I’ve come to realise that ‘entertainment’ instead of ‘liturgical reverence’ is the attraction for most who are fulfilling their Sunday Obligation via the Ordinary Form. I’m convinced that if we had the ability to have Solemn High Masses—regularly or irregularly—our attendance would soar. To the average Catholic, all this bickering about what is ‘traditional’ and what is ‘pseudo’ traditional is irrelevant. If the TLM or OF makes it internally worthwhile for me to go to a Mass, then “count me in.” There is a TLM Mass Centre in another local suburb that was rather rabid several years ago—and still is to a lesser degree—about the meaning of Traditional Liturgy. It came close to destroying their community. Is there a clear answer? In my opinion OF verses EF has gone on too long. The hierarchy are at sixes and sevens, the priesthood is not very supportive, and most attendees at Mass have only ever known the Ordinary Form … therefore anything ‘else’ must be an aberration. Change has to be driven at the lowest level that engages the non-TLM generations. How do you eat an elephant? A mouthful at a time. God Bless you and your work.

The following came from Mateo B.
[We usually redact names for anonymity’s sake.]

ENJOYED YOUR ARTICLE about the “Reform of the Reform.” I have two thoughts: (1) I do feel that the ROFR might be running out of steam, as far as fixing the Novus Ordo goes. I think people have had enough time to realize that the “juice ain’t worth the squeeze”—that their efforts are subject to episcopal or presbyterial whim, houses built upon sand. I recall the exact moment I felt this: We were doing sung Novus Ordo Vespers at my parish for a while. I was really trying to have the music be as traditional as possible: I would diligently look up the correct antiphon in official (or no?) books; find the chant for it; it there was no chant for it, I’d try to make my own simple rendition in Gregorian tones; I’d find music for the hymn; I’d set the English of the hymn to the proper hymn tune from the Liber Hymnarius, fending off requests for Taizé music; etc. It took me hours the first time I did it, and only after weeks of this did I get the preparation time down to maybe 30 minutes. I found myself constantly making my own personal calls as to what the antiphon tune was even supposed to be, what translation of the hymn even matched the hymn tune, flicking from PDF to PDF, learning and practicing these novel chants, etc. And I realized one day, as I prepared: No one cares. Certainly not the bishops. And all my work would be as tears in the rain when next they shift their ponderous bureaucracy to drop a new translation … which will have typos, errors, and a shifting sand dunes of options. My printing hard-wrought Vespers packets—with an expiration date of a decade or so—no longer seemed like a good use of time. I have a wife and many children to think of. The TLM Vespers were so much easier to put together. Usually there was already a fully-complete packet somewhere. We started gathering at a friend’s house once a month to do that instead. It feels nice to practice an antiphon that’s a thousand years old, and that—I truly believe—will be sung until He comes again. (The post-1910 breviary has untraditionalism too, but I couldn’t convince anyone to go full-monastic with me.) My smart-guy quip to my sympathetic pastor: “Preparing for the Novus Ordo is like dealing with a surly teen: it hates when you pay too much attention to it but also hates being ignored—and it’s exhausting either way.” (2) Re: Poorly informed traditionalists. Since I’m in my early 30s, so I never experienced TLM in the olden days, nor even in a parish with people who remembered the olden days. My ideals of tradition are totally contradictory. For instance, celebrating first Vespers of a saint’s day followed by Mass doesn’t bother me at all, because that’s what I can actually attend. And also, give me 1950 Holy Week now, but Holy Saturday in the evening because fire is awesome in the dark. A mess, I know. Basically, I want to get away with as much fun tradition as I can—even if that means ignoring traditional rubrics as regards time. Perhaps I’m a troglodyte, but I just want to do what I’m able, with as much tradition as possible, when it’s possible to do it, with as little infection as possible from destroying, rationalizing men like Bugnini. (That’s the drive, for me, of wanting to return to the older Holy Week. You’re right: I don’t know what I’m asking for. But I don’t like anything Bugnini had a hand in creating.) Thank you for reading my rambles.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: March 17, 2025

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.