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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reader Feedback • “Reform of the Reform”

Corpus Christi Watershed · March 14, 2025

The following came from Chad H.
[We usually redact names for anonymity’s sake.]

LOVED YOUR RECENT ARTICLE about the “Reform of the Reform,” however to my mind it just adds more “fuel to the fire.” I co-ordinate our Sunday only TLM Mass and try to engage with the pews as much as possible. We are a sub-group of a Novus Ordo parish with our own chapel. We try diligently to be part of the overall parish structure. However, once the word “Latin” is mentioned, everything shuts down. As an elderly person, I grew up with the TLM and experienced 40 years as an amateur choir leader before going back to my liturgical roots. Throughout those 40+ years, I designed the music liturgy according to my sense of entertainment—without realising what it was supposed to be until much later. In that time, I’ve come to realise that ‘entertainment’ instead of ‘liturgical reverence’ is the attraction for most who are fulfilling their Sunday Obligation via the Ordinary Form. I’m convinced that if we had the ability to have Solemn High Masses—regularly or irregularly—our attendance would soar. To the average Catholic, all this bickering about what is ‘traditional’ and what is ‘pseudo’ traditional is irrelevant. If the TLM or OF makes it internally worthwhile for me to go to a Mass, then “count me in.” There is a TLM Mass Centre in another local suburb that was rather rabid several years ago—and still is to a lesser degree—about the meaning of Traditional Liturgy. It came close to destroying their community. Is there a clear answer? In my opinion OF verses EF has gone on too long. The hierarchy are at sixes and sevens, the priesthood is not very supportive, and most attendees at Mass have only ever known the Ordinary Form … therefore anything ‘else’ must be an aberration. Change has to be driven at the lowest level that engages the non-TLM generations. How do you eat an elephant? A mouthful at a time. God Bless you and your work.

The following came from Mateo B.
[We usually redact names for anonymity’s sake.]

ENJOYED YOUR ARTICLE about the “Reform of the Reform.” I have two thoughts: (1) I do feel that the ROFR might be running out of steam, as far as fixing the Novus Ordo goes. I think people have had enough time to realize that the “juice ain’t worth the squeeze”—that their efforts are subject to episcopal or presbyterial whim, houses built upon sand. I recall the exact moment I felt this: We were doing sung Novus Ordo Vespers at my parish for a while. I was really trying to have the music be as traditional as possible: I would diligently look up the correct antiphon in official (or no?) books; find the chant for it; it there was no chant for it, I’d try to make my own simple rendition in Gregorian tones; I’d find music for the hymn; I’d set the English of the hymn to the proper hymn tune from the Liber Hymnarius, fending off requests for Taizé music; etc. It took me hours the first time I did it, and only after weeks of this did I get the preparation time down to maybe 30 minutes. I found myself constantly making my own personal calls as to what the antiphon tune was even supposed to be, what translation of the hymn even matched the hymn tune, flicking from PDF to PDF, learning and practicing these novel chants, etc. And I realized one day, as I prepared: No one cares. Certainly not the bishops. And all my work would be as tears in the rain when next they shift their ponderous bureaucracy to drop a new translation … which will have typos, errors, and a shifting sand dunes of options. My printing hard-wrought Vespers packets—with an expiration date of a decade or so—no longer seemed like a good use of time. I have a wife and many children to think of. The TLM Vespers were so much easier to put together. Usually there was already a fully-complete packet somewhere. We started gathering at a friend’s house once a month to do that instead. It feels nice to practice an antiphon that’s a thousand years old, and that—I truly believe—will be sung until He comes again. (The post-1910 breviary has untraditionalism too, but I couldn’t convince anyone to go full-monastic with me.) My smart-guy quip to my sympathetic pastor: “Preparing for the Novus Ordo is like dealing with a surly teen: it hates when you pay too much attention to it but also hates being ignored—and it’s exhausting either way.” (2) Re: Poorly informed traditionalists. Since I’m in my early 30s, so I never experienced TLM in the olden days, nor even in a parish with people who remembered the olden days. My ideals of tradition are totally contradictory. For instance, celebrating first Vespers of a saint’s day followed by Mass doesn’t bother me at all, because that’s what I can actually attend. And also, give me 1950 Holy Week now, but Holy Saturday in the evening because fire is awesome in the dark. A mess, I know. Basically, I want to get away with as much fun tradition as I can—even if that means ignoring traditional rubrics as regards time. Perhaps I’m a troglodyte, but I just want to do what I’m able, with as much tradition as possible, when it’s possible to do it, with as little infection as possible from destroying, rationalizing men like Bugnini. (That’s the drive, for me, of wanting to return to the older Holy Week. You’re right: I don’t know what I’m asking for. But I don’t like anything Bugnini had a hand in creating.) Thank you for reading my rambles.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: March 17, 2025

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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